Dalla

Soaring harmonies and tip toe dance by eight young men from Bulawayo. Unique vocals laced with Afro pop, RnB and Reggae tell of love, hope, worship and social commentary. “Only eight men, but with enough charisma and energy to light up a continent.”

The Herald Scotland

Tickets £8, £7 Children £4
In association with Carn to Cove

ANDY CUTTING • SAM SWEENEY • ROB HARBRON

Leveret features three of England’s finest musicians in an exciting new collaboration. Andy Cutting, Sam Sweeney and Rob Harbron are each regarded as masters of their instrument and are involved in numerous collaborations with a huge range of artists. Together their performances combine consummate musicianship, compelling delivery and captivating spontaneity.

Andy Cutting is a unique player of the melodeon, known for his work with Martin Simpson, Blowzabella, Chris Wood, June Tabor, Kate Rusby, and many more. Sam Sweeney, the fiddle player in Bellowhead, is also in demand as a multi-instrumentalist, working with Jon Boden and the Remnant Kings, The Full English, Fay Hield and the Hurricane Party, and his own project Made in the Great War. Rob Harbron has reinvented the English concertina and is known for his work with The Full English, Jon Boden and the Remnant Kings, Fay Hield, Emma Reid and the English Acoustic Collective.

Leveret’s music is firmly rooted in the English tradition but is fresh and new, with original settings of ancient tunes sitting alongside new compositions by some of today’s finest tunesmiths. Sophisticated and honest, considered and spontaneous, there is nothing else that sounds quite like this trio.

‘Sublime, exquisite music – don’t miss them’

Martin Simpson

Tickets £11

We open our autumn season with an unusual treat from the world of contemporary folk music, with the father-and-daughter line-up of Steve and Martha Tilston.  Both of them are well-known and popular performers, but it is rare that they appear on the same stage so this is a chance not to be missed.  They will perform separate sets but will also perform a few numbers together.

Steve Tilston has been described as “a complete guitarist,” “a singer songwriter of rare talent” and “absurdly accomplished.”  He’s the writer of the classic The Slipjigs and Reels, The Naked Highwayman and Here’s to Tom Paine and his songs have been covered by a who’s who of the folk scene. His career was marked by the release in 2010 of Reaching Back, a 5-CD boxed-set retrospective, and he’s also published a powerful historical novel.  Celebrating 40 years in the business, he’s on as great form as ever. His last album The Reckoning garnered him the “Best Original Song” accolade at the BBC Radio 2 Folk Awards last year, plus invitations to appear on Later with Jools Holland and BBC4’s Songwriters’ Circle. Perhaps best known for his song-writing prowess, Steve is also a blinding, dazzling guitarist with a style echoing the elaborate rhythmic “folk baroque” of Bert Jansch and Davy Graham, but also drawing from classical, roots and the tradition to create a sound that has been called quintessentially Tilston.

• A great narrator on top form. The Observer ****
• …dominated by Tilston’s exquisite guitar work … The Guardian ****
• …songs of great heart, delivered with authority and instrumental panache. The Scotsman 
• Another superb set from the good Mr Tilston, who just can’t seem to put a finger wrong. FROOTS

STOP PRESS: Steve’s latest album Happenstance is due for release on September 3^rd and should be available for you to buy at the venue.

Martha Tilston displays a comparable originality with lyrics and an equally compelling stage presence as her father, but her musical style is totally different. She originally trained as an actor, but the tug of her musical lineage set in, and by her late teens, she had taken up the acoustic guitar and taught herself the fine art of fingerpicking, finding her voice — a shivering, autumnal bird-song evocative of a young Joni Mitchell — along the way.

She released her lo-fi debut, Rolling, in 2003, while touring Ireland as support for troubadour Damian Rice. Tilston’s earthy compositions and delicate melodies earned her a growing audience, but she declined the lucrative offers from established record labels, choosing instead to set up her own label, Squiggly Records. She funded the pressing of her next record, 2005’s Bimbling, through the sale of the album’s canvas-painted artwork.  By 2007, she was opening the Acoustic Stage at Glastonbury with songs from her album Milkmaids and Architects, garnering a nomination for Best New Act at the BBC Radio 2 Folk Awards.

Her songwriting eschews the hoary ‘moors and maids’ folk imagery of old for gentle, probing meditations on modern concerns such as consumerism, urbanization and unheard voices, but she also finds space for haunting love songs, and one-off originals such as Old Tomcat, her sensual personal paean to Leonard Cohen. She’s performed at demos and marches, and played a set at Climate Camp in 2009, but Tilston considers herself too nomadic to hitch her star to any wagon. “I feel strongly about not getting stuck in any one scene; I try to weave my music through the world without becoming ingratiated to any one group.” And as her latest album, Machines of Love and Grace confims, it’s a creative independence that pays off.

From reviews of Machines of Love and Grace:

• “eloquently explores the relationship between technology and the human condition” BBC
•  “her voice is as lovely as ever…a fine and evocative album” Folk Radio UK 
• “Tilston’s tough personal approach makes for an engaging, unusual album” Guardia 

We can safely expect an engaging, unusual evening from the two Tilstons.

Tickets £10/£9 concessions

Pre-concert meals available at our cafe, pre-booking essential.

Further information:
tolmen@constantinecornwall.com
01326 341353