Rhum and Clay Theatre Company
On board a decadent cruise liner in 1939, the world’s greatest chess champion is challenged to a match by a mysterious newcomer called… B. As B begins to play, it becomes clear that the game is not the only thing he’s at risk of losing. Because B is not just one person, but four. And they each have their own version of the story they want to tell.
Based on a story by stefan Zweig, with a live jazz percussive score and their signature blend of ramshackle and cinematic performance, Rhum and Clay Theatre Company tell
a story of madness, identity and finding a home in 64 black and white squares.
Tickets £10, £8 Children £5
Every week the Locksmith’s wife reads aloud the next instalment of Dickens’ latest story to an assortment of characters who may have walked out of his novels.
But when she falls sick, the Locksmith has to step into her shoes and fiction and reality blur as they find themselves facing their deepest secret.
Tickets £8, £7 Children £4
Following the multi-award-winning What I Learned From Johnny Bevan, Luke Wright’s new verse play deals with love, loss, and belief, against a backdrop of 80s politics and music. Simon, a vicar’s son from Essex, has become Frankie Vah and replaced religion with radical politics and ranting poetry. He and his beloved girlfriend Eve live in love and penury, but when Frankie goes on tour with indie darlings The Midnight Shift, his new world is put to the test.
‘Pulsating, poetic storytelling’ The Guardian
Tickets £10, £8Book Online
Theatre Ad Infinitum’s wordless tale of life, death and enduring love returns to tour the UK and Chile following years of extensive international touring amassing nine awards.
Original performers George Mann and Deborah Pugh are joined by Sophie Crawford to retell, with precise gesture and touches of humour, the story of widower William who escapes to a comforting world of fantasy and memories rather than confront his grief. From beyond the grave, his wife Rose returns to help him let go. This poignant, life-affirming tale uses intricate and lifelike hand-held masks – created by Madame Tussaud’s senior sculptor Victoria Beaton – to travel back and forth through William and Rose’s relationship, wordlessly conveying a lifetime of memories in 75 minutes.
How it all started…
Theatre Ad Infinitum premiered Translunar Paradise at the 2011 Edinburgh Festival Fringe and experienced an overwhelming response from audiences and professionals alike receiving three awards and three award nominations, selling out our run at The Pleasance Dome, and picking up four & five star reviews across the board.
Following this success the show went on to win a total of nine awards internationally and has toured extensively in the UK in Sept-Oct 2011, Jan-Feb 2012, and Oct-Nov 2013. They were thrilled to sell out a week long run at the 2012 London International Mime Festival at Barbican, a week at the Bristol Old Vic and many nights in venues across the UK (including at The Tolmen Centre).
The piece returned to the Edinburgh Festival in 2012 and sold out for a second consecutive year.
Translunar has also enjoyed extensive international touring in Bogota at the Ibero-American Theatre Festival, Colombia and going on to tour in Brazil for three months with Galharufas Producoes, in Italy, Norway, Israel, Greece, Croatia, Ireland, Sweden, The Netherlands, Belgium and the USA.
The Wijkjury First Prize Award, The Netherlands 2014 | Argus Angel Award 2012 (Brighton Fringe) | Liverpool Daily Post ‘Best Fringe Show of 2011’ | The Fringe Review ‘Outstanding Theatre Award’ 2011 | The Observer ‘Iron Man’ Award for Kim Heron | Brave New World Award & Audience Award at the Sarajevo MESS Theatre Festival, Bosnia & Herzegovina 2011 | 1st Prize BE Festival Development Award 2010 | Best Theatre Direction Award at ACT Festival Bilbao, Spain 2011
The Stage Award for ‘Best Ensemble’ 2011 | Total Theatre Award for Visual/Physical Devised Theatre | Brighton Fringe ‘Best of Edinburgh Award’
The Times * * * *: “An admirable, infinitely gentle and wordless story of loss and remembrance” -Donald Hutera.
The Stage ‘MUST-SEE!’ Show: “I really cannot recommend this highly enough – it is not just one of the best shows I have seen at this year’s fringe, but any fringe.” -Alistair Smith.
“This is a show that will steal your heart.” ★★★★★ Scotsman
“Uniquely devastating” Observer
5 Star Reviews: The Scotsman | What’s On Stage.com | Fest Magazine | British Theatre Guide | Fringe Review | Edinburgh Guide.com | Fringe Guru
4 Star Reviews: The Times | The List | Exeunt Magazine | Edinburgh Festivals Magazine | Three Weeks
Tickets £12, £10Book Online
Suzette is a ballet dancer. Morry is a married city worker, on the verge of losing everything, who can’t stop secretly going to see her perform.
Tonight he’s going to talk to her.
There’s just one problem.
This is a special scratch performance of a new Cube show. Audience feedback is invited and a “pay what you think it deserved system” will operate. Suitable for ages 12+.
“Sometimes I imagine myself to be my statue down Camborne, gazing out over those roundabouts…. watching the cars, lorries and motorbikes bombing along.
The ingenuity in all that machinery going on… .. the pistons, the pumps, the fumes, the exhausts, the fuel…. it’s all so easy now.”
Kernow King tells the story of one of Cornwall’s greatest sons Richard Trevithick.
Tickets £10, £8, Children £6