Theatre

High-quality original drama

The Tolmen Centre has built up an excellent reputation for presenting high-quality original drama. Miracle, Cube, Cscape, and Pipeline theatre companies are regular visitors both to perform and to develop new work.

Tickets should be booked in advance through We Got Tickets.

The cafe is open for dinner before every performance (please call Barbara on 01326 340630 to book) and there is a licensed bar. 

Friday May 8th
7:30 pm

Titania

What happened after the end of A Midsummer Night’s Dream? Titania, the fairy queen, now cleans the theatre where she lives. Yes, she’s been through a lot in the four hundred and thirty years since Shakespeare’s play. Her husband’s wound himself into a cocoon, Puck’s gone cyberpunk, and Titania’s just stolen something – or someone – who she really ought to give back. Can her magic even exist in this fractured world of ours? Comical, tragical, poetical, ecological, our new one-woman show will take you deep into the forest.

Venue Opens: 18:00
Event Starts: 19:30

Tickets £12, £10 (children)

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Friday May 15th
7:30 pm

REDACTED by The VOLOZ Collective

We welcome back the exciting young company known as The Voloz Collective with their new show REDACTED

In association with Carn to Cove

Redacted is an adrenaline-fueled odyssey through America’s most absurd manhunt — one epic chase scene stretched across time and space, where secrets, shootouts, and sheer dumb luck collide in spectacular fashion. Marnie’s pursuit of the truth propels her from underwater escapes to outer space showdowns, from the boulevards of Paris to the deserts of the American Southwest, plunging her deep into the myths of small-town America.
What makes us cling to the stories we’re told? Why do we fight to unearth the truth, even when it threatens to upend the world as we know it? Voloz Collective’s newest show unravels our obsession with truth — how we hunt for it, twist it, and why we believe even when it isn’t real. When facts slip through the cracks, conspiracy theories rise — not just to deceive, but to feed our need for meaning in a world that rarely makes sense.

Praise for Voloz Collective’s work: ‘Physical Theatre at its most immaculate’ ★★★★ Scotsman

‘Theatre at it’s finest’ ★★★★★ BroadwayBaby

‘Leaves you wanting more’ ★★★★★ BroadwayWorld

‘The theatrical equivalent of a well-crafted Netflix thriller’ ★★★★ WhatsOnStage

Cafe Tolmen will be open for pre show suppers – must be reserved by phoning Barbara on 01326 340630

Venue Opens: 18:00
Event Starts: 19:30

Tickets £15, £12, £10 (children)

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Past performances

 

Saturday March 14th
7:30 pm

LUKE WRIGHT presents LATER LIFE LETTER

Later Life Letter tells the story of Luke Wright’s adoption – the life he leads, and the one he might have done. What’s it like to stumble across your birth mother on Facebook? How do you honour the parents who have raised you while satisfying a curiosity about where you came from? Is it telling that you married a social worker?

Wright navigates his audience through a warm and honest hour of poems and stand-up with the wit, pathos, and silliness that has made him one of the most popular live poets in England.

This is a frank account of what it means to be someone’s child told by a performer who really knows what he’s doing. Expect raucous laughter, tear-stained cheeks, and a little smattering of drum n bass.

“Witty observation and rollicking acuity” 

★★★★ Guardian

“His poems shoot arrows through the heart.” 

★★★★★ List

“A sharpness and wisdom that lifts the soul and soothes the battered heart.” 

★★★★ Scotsman

“A streetwise panache and a sardonic comic verve to rival Stewart Lee.” 

★★★★★ Telegraph

“Honesty, humour, ire and wonder. He is at the peak of his powers.” 

★★★★★ Stage

Venue Opens: 18:00
Event Starts: 19:30

Tickets £15.98

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Saturday February 28th
7:00 pm

NO ANGEL – Tolmen Theatre Company

 February 19th, 20th, 21st, 26th, 27th 28th 7.00pm

November 1940: At the height of the Blitz, two young girls meet on a London underground platform, sheltering from the bombs. And their two lives are changed forever. February 2026: Fourteen year old Maddy reluctantly opens a battered suitcase full of diaries and notebooks – the only personal effects of her recently departed great-granny. And the hidden truth of a whole life spills out.The company that brought you ‘Before the Flood’ and ‘Ill Met by Moonlight’ presents ‘No Angel’: an epic, bittersweet, cross-generational detective story of love, loss, and the long shadows of war.

Age guide: 10+

Tickets £7, Children £4

February 19th GET TICKETS
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February 28th GET TICKETS

Friday February 27th
7:00 pm

NO ANGEL – Tolmen Theatre Company

 February 19th, 20th, 21st, 26th, 27th 28th 7.00pm

November 1940: At the height of the Blitz, two young girls meet on a London underground platform, sheltering from the bombs. And their two lives are changed forever. February 2026: Fourteen year old Maddy reluctantly opens a battered suitcase full of diaries and notebooks – the only personal effects of her recently departed great-granny. And the hidden truth of a whole life spills out.The company that brought you ‘Before the Flood’ and ‘Ill Met by Moonlight’ presents ‘No Angel’: an epic, bittersweet, cross-generational detective story of love, loss, and the long shadows of war.

Age guide: 10+

Tickets £7, Children £4

February 19th GET TICKETS
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February 26th GET TICKETS
February 27th GET TICKETS
February 28th GET TICKETS

Thursday February 26th
7:00 pm

NO ANGEL – Tolmen Theatre Company

 February 19th, 20th, 21st, 26th, 27th 28th 7.00pm

November 1940: At the height of the Blitz, two young girls meet on a London underground platform, sheltering from the bombs. And their two lives are changed forever. February 2026: Fourteen year old Maddy reluctantly opens a battered suitcase full of diaries and notebooks – the only personal effects of her recently departed great-granny. And the hidden truth of a whole life spills out.The company that brought you ‘Before the Flood’ and ‘Ill Met by Moonlight’ presents ‘No Angel’: an epic, bittersweet, cross-generational detective story of love, loss, and the long shadows of war.

Age guide: 10+

Tickets £7, Children £4

February 19th GET TICKETS
February 20th GET TICKETS
February 21st GET TICKETS
February 26th GET TICKETS
February 27th GET TICKETS
February 28th GET TICKETS

Saturday February 21st
7:00 pm

NO ANGEL – Tolmen Theatre Company

 February 19th, 20th, 21st, 26th, 27th 28th 7.00pm

November 1940: At the height of the Blitz, two young girls meet on a London underground platform, sheltering from the bombs. And their two lives are changed forever. February 2026: Fourteen year old Maddy reluctantly opens a battered suitcase full of diaries and notebooks – the only personal effects of her recently departed great-granny. And the hidden truth of a whole life spills out.The company that brought you ‘Before the Flood’ and ‘Ill Met by Moonlight’ presents ‘No Angel’: an epic, bittersweet, cross-generational detective story of love, loss, and the long shadows of war.

Age guide: 10+

Tickets £7, Children £4

February 19th GET TICKETS
February 20th GET TICKETS
February 21st GET TICKETS
February 26th GET TICKETS
February 27th GET TICKETS
February 28th GET TICKETS

Friday February 20th
7:00 pm

NO ANGEL – Tolmen Theatre Company

 February 19th, 20th, 21st, 26th, 27th 28th 7.00pm

November 1940: At the height of the Blitz, two young girls meet on a London underground platform, sheltering from the bombs. And their two lives are changed forever. February 2026: Fourteen year old Maddy reluctantly opens a battered suitcase full of diaries and notebooks – the only personal effects of her recently departed great-granny. And the hidden truth of a whole life spills out.The company that brought you ‘Before the Flood’ and ‘Ill Met by Moonlight’ presents ‘No Angel’: an epic, bittersweet, cross-generational detective story of love, loss, and the long shadows of war.

Age guide: 10+

Tickets £7, Children £4

February 19th GET TICKETS
February 20th GET TICKETS
February 21st GET TICKETS
February 26th GET TICKETS
February 27th GET TICKETS
February 28th GET TICKETS

Thursday February 19th
7:00 pm

NO ANGEL – Tolmen Theatre Company

 February 19th, 20th, 21st, 26th, 27th 28th 7.00pm

November 1940: At the height of the Blitz, two young girls meet on a London underground platform, sheltering from the bombs. And their two lives are changed forever. February 2026: Fourteen year old Maddy reluctantly opens a battered suitcase full of diaries and notebooks – the only personal effects of her recently departed great-granny. And the hidden truth of a whole life spills out.The company that brought you ‘Before the Flood’ and ‘Ill Met by Moonlight’ presents ‘No Angel’: an epic, bittersweet, cross-generational detective story of love, loss, and the long shadows of war.

Age guide: 10+

Tickets £7, Children £4

February 19th GET TICKETS
February 20th GET TICKETS
February 21st GET TICKETS
February 26th GET TICKETS
February 27th GET TICKETS
February 28th GET TICKETS

Sunday November 16th
3:00 pm

NICE by Matthew Robins

In association with Carn to Cove

Artist and musician Matthew Robins combines music and shadow puppetry in this collection of stories about animals, monsters, sausages, love, death and the sea.

He is joined on stage by puppeteer Tim Spooner.

The show is suitable for adults and children 8+ (younger children welcome with parental discretion)

A matinee show for all the family.

“like watching a silent movie in which every aspect has been created by a wayward child genius” The Guardian

Door time: 2:30pm
Start time: 3:00pm

Tickets £10, £8, £5 (children), Family Ticket 2+2 £25

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Friday October 31st - Saturday November 1st
7:30 pm

RUNt

Pipeline Theatre 

Pipeline Theatre brings you a no-holds-barred exposé of life in a Year 9 classroom, as faced by an Early Careers Teacher trying to cope with the lost and lonely girl who latches on to her. In a first for Pipeline’s touring theatre shows, eleven talented young people from all corners of Cornwall have been cast alongside two professional actors, to reveal the comedy, the madness and the heart-break of life in a failing rural secondary school in 2025. 

Age guide 14+ (repeated use of bad language.)

Venue Opens: 18:00
Event Starts: 19:30

Tickets £13, £11, £7 (children)

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Friday May 2nd
7:30 pm - 9:30 pm

Multistory Theatre LAST DANCE SALON

This captivating new show explores love, legacy and the future we envision for coming generations. Filled with music, dance, drama and laughter, it promises a deeply moving experience. Two people, no longer in the first flush of youth, meet at a dance retreat in Buenos Aires. A spark is ignited. With family ties in Chile and Devon, they navigate the challenges of a long-distance relationship sustained by tango sessions in Argentina that include unexpected flights of the imagination.

If you feel so inclined, there is the opportunity to throw a few shapes yourself at the end of the evening.

Cafe Tolmen supper available pre show – book via 01326 340630

Venue Opens: 18:00
Event Starts: 19:30

Tickets £12.50

 

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Thursday April 3rd
7:30 pm

After All

 Solene Weinachter

We welcome back Solene Weinachter – who gave us Juliet and Romeo with Ben Duke and her terrific solo show Antigone Interrupted.
The subject of Solène’s new self-created solo show may be death, but the work is bursting with vitality. Weinachter hooks us from the start with a highly demonstrative re-creation of her beloved Uncle Bob’s funeral. The family has gathered for a service at the crematorium when, unexpectedly, Weinachter’s father asks his dance-trained offspring to get up and dance. The results were, as she shows us, hilarious. As a dancer Weinachter is a joy to watch, lithe and inventive, and her musical choices, from a pan pipes cover version of My Way through to Donna Summer are astute.In association with Carn to Cove and the Rural Touring Dance Initiative
Pre show supper is available from Cafe Tolmen – book in advance with Barbara on 01326 340630
Venue Opens: 18:00
Event Starts: 19:30

Tickets £12/£10

 

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Thursday March 6th - Saturday March 8th
7:00 pm

Ill Met By Moonlight

A tale of midsummer night’s mayhem from the people who brought you ‘Before the Flood’.

A festival (a bit like Port Eliot). A variety of dysfunctional campers. A derelict Fairy Queen holed up in the woods beyond. A truly abysmal weather forecast. What could possibly go right? Expect comedy, tragedy, and a sideways nod to Shakespeare.

Venue Opens: 18:00
Event Starts: 19:00

Tickets £6, £3 (8+ under 16)

Saturday March 1st
7:30 pm

LUKE WRIGHT PRESENTS JOY

LUKE WRIGHT

Poet

Following the smash hit success of his Silver Jubilee show (“the best thing he’s done and that’s saying something.” ★★★★★Telegraph) Luke Wright returns with a new set poems that get to grips with the idea of JOY. Is it possible, as a 42 year old to feel pure unbridled happiness, and what does it look like?

 

The French novelist Henry de Montherlant said that “happiness writes white” but Wright’s not exactly starting with a blank page. With a mix of the of the comic and the wistful, JOY takes in consumerism, boozing, cancer scares, abseiling vicars, and the joy of language itself. We might have to go down to come up, but we’ll get there in the end. Come let a little joy into your life with a raconteur and wordsmith at the top of his game.

 

“Breathtaking … with a sharpness and wisdom that lifts the soul, and soothes the battered heart.” ★★★★ The Scotsman

 

“A winning combination of honesty, humour, ire and wonder. He is at the peak of his powers.” ★★★★★ The Stage

 

“Britain’s finest performance poet.” ★★★★★ Life As Theatre

 

Supported by Colchester Arts Centre

Venue Opens: 18:00
Event Starts: 19:30

Ticket price £15/£12

 

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Friday February 14th
7:30 pm

AKIMBO THEATRE presents THE ANIMATOR

We are hugely excited to have a short residency from the internationally renowned Akimbo Theatre who will be with us for a week from 8th February developing their new show The Animator which will have it’s UK premiere  at the Tolmen Centre on 14th February before going off on a tour across the country.

Theatre Akimbo  all trained at the Lecoq institute in Paris from where so many wonderful physical theatre groups have emerged – such as Rhum and Clay, Theatre Adinfinitum, Little Soldier and many more who have visited the Tolmen Centre over the years.   The physical theatre they become expert at is perfectly suited to small spaces such as ours when an audience is right up close to the performers.

Hailing from all over Europe – London to Norway to Switzerland  and beyond – we are expecting the new show to be fast moving, physical, funny and absorbing as they bring the story of Lotte Reineger to life with performance,  shadow  puppetry, acrobatics and technical wizardry.

Their first show, NO-ONE, based on HG Wells Invisible Man,  won awards and plaudits wherever it played –  from Brighton Fringe, to Edinburgh and as far away as Norway.  Don’t miss the chance to see their new play on February 14th  at the Tolmen – a  theatrical highlight of the season.

Check out the clip and have a look at the Akimbo website www.akimbotheatre.com for full details

Akimbo will also present their children’s show Little Lotte on Sunday 9th February as an afternoon matinee for families.   This short, charming show – also about animator Lotte Reineger – is followed by a workshop in which children (and grownups!) can make their own shadow puppets.

Cafe Tolmen supper available pre show – book via 01326 340630

Venue Opens: 18:00
Event Starts: 19:30

Tickets £13/£11

 

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Sunday February 9th
3:00 pm

Little Lotte

Akimbo Theatre
A children’s show inspired by German film director Lottie Reiniger, a young woman “bitten” by the magic of early ‘moving pictures and inspired by the fairytales she read. We follow Lotte as she goes on a fantastical journey with animal friends, magic and dragons! This is a 35 minutes show, followed by a puppetry workshop where kids can make their own shadow puppets. 

Venue Opens: 18:00
Event Starts: 19:30

Tickets £10, Family £25

 

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Friday December 13th
7:30 pm

THE CRATCHITS’ CHRISTMAS CRACKER

Welcome one and all to The Cratchits’ Christmas Cracker!

The Cratchit family is having a party and you’re all invited. Join Mrs Cratchit, cousin Edith and Uncle Hugo as they celebrate Christmas with a marvellous mix of festive songs, stories and parlour games.

The Cratchits’ Christmas Cracker! is a festive feast of seasonal silliness, a merry mixture of Yuletide foolery, created and performed by Mary Woodvine, Craig Johnson and Jenny Beare, who between them have decades of theatrical experience with Kneehigh, Wildworks, the Minack, o-region, the RSC, the National Theatre and countless village halls.

For adults and children 10+

Venue Opens: 18:00
Event Starts: 19:30

Tickets £15/Children(over 10) of £10

 

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Thursday December 12th
7:30 pm

THE CRATCHITS’ CHRISTMAS CRACKER

Welcome one and all to The Cratchits’ Christmas Cracker!

The Cratchit family is having a party and you’re all invited. Join Mrs Cratchit, cousin Edith and Uncle Hugo as they celebrate Christmas with a marvellous mix of festive songs, stories and parlour games.

The Cratchits’ Christmas Cracker! is a festive feast of seasonal silliness, a merry mixture of Yuletide foolery, created and performed by Mary Woodvine, Craig Johnson and Jenny Beare, who between them have decades of theatrical experience with Kneehigh, Wildworks, the Minack, o-region, the RSC, the National Theatre and countless village halls.

For adults and children 10+

Venue Opens: 18:00
Event Starts: 19:30

Tickets £15/Children(over 10) of £10

 

GET TICKETS

Sunday December 8th - Tuesday December 10th
7:00 pm

Ill Met By Moonlight

A tale of midsummer night’s mayhem from the people who brought you ‘Before the Flood’.

A festival (a bit like Port Eliot). A variety of dysfunctional campers. A derelict Fairy Queen holed up in the woods beyond. A truly abysmal weather forecast. What could possibly go right? Expect comedy, tragedy, and a sideways nod to Shakespeare.

Venue Opens: 18:00
Event Starts: 19:00

Tickets £6, £3 (8+ under 16)

Saturday December 7th - Monday December 9th
7:00 pm

Ill Met By Moonlight

A tale of midsummer night’s mayhem from the people who brought you ‘Before the Flood’.

A festival (a bit like Port Eliot). A variety of dysfunctional campers. A derelict Fairy Queen holed up in the woods beyond. A truly abysmal weather forecast. What could possibly go right? Expect comedy, tragedy, and a sideways nod to Shakespeare.

Venue Opens: 18:00
Event Starts: 19:00

Tickets £6, £3 (8+ under 16)

Saturday November 23rd
7:30 pm

NAN, ME AND BARBARA PRAVI

A welcome return fo the amazingly talented Hannah Maxwell following her affectionate and witty exploration of Amdram last year. Check our website for full details and tickets

In association with Carn to Cove

“I wish I could say here our story starts. But this story starts later, and ended earlier. Is entirely fictional, and completely true. Voila.”
In 2021, Hannah Maxwell moved back to the Home Counties to care for her terminally ill grandfather. But this show isn’t about that. It’s about France’s Eurovision star Barbara Pravi, who’s just lovely.
In between cooking, cleaning and Countdown, Maxwell escapes into an intensifying fantasy of ballroom dances, heartfelt ballads, Parisian cafés, fluent French and definitely-not-creepy plots to engineer a meetcute with a random foreign celebrity. It’s La La Land meets Mission Impossible meets Hannah’s nan.
Combining spoken-word, video and chanson francaise, NAN, ME & BARBARA PRAVI sits you down at the kitchen table to talk through grief and care, addiction and recovery, and hope and coping in unprecedented times.

WINNER OF THE SUMMERHALL LUSTRUM AWARD
NOMINATED FOR THE BBC POPCORN AWARD FOR NEW WRITING

Cafe suppers from Barbara’s Cafe pre show – book by phone on 01326 340630

Venue Opens: 18:00
Event Starts: 19:30

Tickets £12

 

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Friday October 11th
7:30 pm

ITS THE ECONOMY STUPID BY WORKLIGHT THEATRE

It’s The Economy, Stupid!
By Joe Sellman-Leava and Dylan Howells
Directed by Katharina Reinthaller

We welcome back Joe Sellman-Leava (his previous shows Labels, Monster and Fanboy were highlights of previous seasons) fresh from the Edinburgh Fringe with his new two handed show, garlanded with multi-star reviews.    Joe and his co-producer Dylan Howells put the final touches to the show during a short residency at the Tolmen earlier this year and this gives the chance to see the end product fully formed post Edinburgh and before a national tour.

‘PERSONAL, POLISHED AND PROVOCATIVE’
★★★★ The Scotsman on LABELS

‘BRIMMING WITH ENERGY’
★★★★ The Stage on MONSTER

‘A FASCINATING PIECE…FULL OF SURPRISES’
★★★★★ Broadway Baby on FANBOY

Here’s a sample of the reaction at the Fringe:

★★★★  The Stage       “Smart, sharp writing”  

 

★★★★ FRINGE REVIEW  

 Recommended show

Fringe First Award winners Worklight Theatre return to the Edinburgh Fringe with It’s the Economy Stupid . This is a story of the impact of global forces on one everyday family, in the context of UK politics since the 1980s, and an attempt to teach the audience , with the help of a game of Monopoly, a thing or two about how money works (more akin to magic than maths it turns out). 

★★★★  THE LIST

A passionate and educational two-hander that pretty much nails the 80s as the moment that future cash flows started to go wrong 

 

Lyn Gardner     Stagedoor

Worklight Theatre’s It’s the Economy, Stupid!  is a smart example of how you can weave a personal story into a much wider tapestry. Shortly after Joe Sellman-Leava was born, his parents went bankrupt, and their small greengrocer was hit by the early 1990s recession and the rise of supermarkets. His family story is entwined with a crash course in economics, which begins with Sellman-Leava’s early experience with inflation when buying the Beano and covers supply and demand and why young people today can’t get on the housing ladder. It has nothing to do with buying too much coffee. This is smart stuff—theatre with a purpose that is always very entertaining.

 A FULL REVIEW

★★★★   BRITISH THEATRE GUIDE

“It’s the Economy, Stupid” was the outcry of strategist, James Cavelle during Clinton’s run for the White House in 1992, a mantra describing recession and a lot of other made-up stuff. Bumper stickers were very popular. And fridge magnets and computer screensavers. The simplicity of the phrase, the idea and the quote, was one of the things that got Clinton elected.

“It’s the Economy, Stupid!” is back in our lives again, thanks to the current political environment and this engaging production of the same title.

This production / lecture on the current economics explains it all from the perspective of a young boy, Sellman-Leava, trying to figure out how money works and maybe make us feel better. The adage, “the rich get richer and the poor get poor,” seems to better explain how much of us feel.

Including the Sellma-Levea parents. Young Sellman-Leava’s family, who inched their way to financial security, was caught off-guard, like many, and found themselves spiralling backward. His parents seemed to have been able to protect him somewhat while teaching him the lessons that would help him survive financially as an adult. He and his magician stage-mate break it down for us.

It’s the Economy, Stupid! makes it easy and entertaining to follow. There is playful banter between these two friends with some fun and disturbing slight-of-hand from Howells, who tries to keep things on an informational thread. Howell is the snarky pragmatist.

Howell salaries 10 people in the audience with a pound each. Then he convinces them to deposit these pounds in a nice, safe, warm bank. But, surprise, the bank doesn’t actually have their pounds. Here he explains about lending and interest and foreclosure and bankruptcy and all the “not good” and “bad” things that can happen while you are busy bettering your life.

If you find in the bottom half of the hour that it all starts to seem frighteningly out of our control, you are not alone. You have learned that, along with Sellman-Leava’s family, there is not too much we can do but ride the waves our politician have got us into.

Under the guiding hand of director Katharina Reinthaller, we are lured into the entertainment of It’s the Economy, Stupid!

Venue Opens: 18:00
Event Starts: 19:30

Ticket price £12/£10

 

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Saturday May 11th
7:30 pm

SHOTGUNNED

By Kangaroo Court

We welcome to the Tolmen Centre SHOTGUNNED – a new play by exciting new company Kangaroo Court based in Falmouth.

Shotgunned is the company’s debut production, and has already played to enthusiastic audiences around Cornwall with excellent reviews. The company now have bookings across the country before heading to the Edinburgh Fringe for a full month in August.

Written and directed by Matt Anderson, it tells the story of Dylan and Roz, a couple who unexpectedly fall out of love.

Described as equal parts hilarious and heartbreaking, Shotgunned is a deeply relatable and intimate piece of theatre about the people we lose that shape who we become.

We are delighted to support this emerging young company who we expect to hear much more from as they take their work across the country later this year.

‘You find yourself laughing out loud one moment and gripping for tissues the next… Shotgunned breaks your heart, patches it together and then breaks it again.’ – FalWriting

 ‘Despite focussing on a break up, Shotgunned is very funny throughout.’ – ★★★★★ The Packet

 ‘Pure Annie Hall’ – The PRSD

Pre show  suppers available from our much loved Café Tolmen – must be prebooked from Barbara on 01326 340630

Venue Opens: 18:00
Event Starts: 19:30

Tickets £10

 

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Saturday April 13th
7:30 pm

JAMES ROWLAND

PIECE OF WORK and LEARNING TO FLY

This is a rare  chance to experience a storyteller/dramatist at the top of his game.    Both these shows have played to sellout audiences at the Edinburgh Fringe and received multi-starred reviews as well as touring to venues large and small across the country.

We have been trying to arrange a visit from James for some time since we journeyed up country to see ‘Learning to Fly’ and just loved it.  Now we have persuaded him to bring that show, along with his more recent smash hit ‘Piece of Work’ as a double bill of storytelling theatre.

With minimal set and staging, James will deliver  a mix of humour, music, and two emotionally engaging stories in his unique and captivating style, infused with personal experiences of childhood, relationships between generations, and much else – with a hint of Shakespeare thrown in!

Don’t miss this chance to see two remarkable performances in one evening.

Café Tolmen suppers available pre-show – booked in advance  with Barbara on 01326 340630

★★★★★‘A riveting, remarkable hour of theatre…’ -Guardian

★★★★‘He delivers his story with grace and self-deprecating humour‘ – The Times

★★★★‘Rowland is a natural storyteller…very funny, disarmingly honest and surprisingly tender’ – The Scotsman

Read the Guardian reviews  of Piece of Work and Learning to Fly here:

 https://www.theguardian.com/stage/2023/aug/21/james-rowland-piece-of-work-review-an-affecting-account-of-fathers-sons-and-shakespeare

https://www.theguardian.com/stage/2022/aug/14/learning-to-fly-review-james-rowland-summerhall-edinburgh

 

Venue Opens: 18:00
Event Starts: 19:30

Tickets £12/11(discount)

 

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Sunday March 24th
7:30 pm

THE BAND BACK TOGETHER

Farnham Maltings

Farnham Maltings is proud to announce the production of a new play from Barney Norris, one of Britain’s most celebrated dramatists. The production will tour to community audiences across the U.K., and tells the story of a group of friends reuniting later in life to reform a band they started in their youth.
The Band Back Together marks an exciting new chapter in Farnham Maltings’ long history as a producer of contemporary theatre, having created and toured original productions to communities across the U.K. for over two decades. Farnham Maltings’ past productions include The Syrian Baker, which won Best Play at the Writers’ Guild Awards 2022, the acclaimed Jess and Joe Forever, which transferred to the Orange Tree Theatre, and Mountain Music, co-produced with the Olivier Award-winning company Little Bulb.

About The Band Back Together
A new play remembering teenage dreams, rock n’ roll and returning home…
Joe, Ross and Ellie used to be in a band. They were pretty good too, making waves in a rugged patchwork of pubs and clubs. They even had a song on Radio 2. But that was all a decade ago and the songs, the stories, the secrets are long since buried. Until now.
Drawn back together for one night only to play a benefit gig in their hometown, three former bandmates find a community reeling from a poisoning and a pandemic. Will the old songs still work their magic? And just how far has time thrown these friends from their younger selves? As showtime draws nearer, the friends come face to face with the memories of their youth. Feeling lost in the community they once called home, they must confront the past in order to make sense of the future.

Farnham Maltings’ Chief Executive Officer Peter Glanville said: ‘We are delighted to be premiering this exciting new work which has been commissioned to tour to community audiences across the U.K. Barney’s writing speaks to many of the most important issues of our day, whilst making for a thoroughly entertaining night of theatre. I am pleased that this production continues Farnham Maltings’ important work reaching into the heart of communities.’

About Barney Norris
Barney Norris is a playwright and novelist from Salisbury. He is the founder of touring theatre company Up in Arms and author of multiple critically-acclaimed works, including Visitors (Arcola / The Watermill), Nightfall (Bridge Theatre) and the bestselling novel Five Rivers Met on a Wooded Plain.

 

Venue Opens: 18:00
Event Starts: 19:30

Adult Ticket  £12.00, £10 concessions

 

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Friday March 15th
7:30 pm

HELL’S BELLS

Miracle Theatre’s Hell’s Bells Takes Cornwall by Storm! 

The acclaimed Miracle Theatre returns with a bang, bringing their latest indoor production to audiences across Cornwall and the South West. For the first time in a decade, Miracle Theatre is touring indoor venues throughout February to April, taking the region by storm with their brand-new show, Hell’s Bells. 

As the body of a lighthouse keeper mysteriously washes ashore, covered in strange markings, Ferelith’s seaside holiday takes an unexpected turn. 

Grabbing an opportunity to escape from the tedium of the beach and unable to resist meddling in the police investigation, she soon finds herself tangled in a web of peculiar events. 

As things grow increasingly strange, her legendary powers of intuition begin to fail her. 

Can her down-trodden brother, Grubb, who always seems to be one step behind and heading in the wrong direction, rescue her from the brink of disaster? 

Miracle Theatre Founder and Artistic Director Bill Scott said: “As well as touring open-air productions to unlikely and out-of-the-way venues every summer, Miracle also used to spend the winter months visiting indoor spaces – from theatres and arts centres to village halls and schools. After a pause of ten years, we are delighted to be back on road from February to April, revisiting our old haunts and discovering some new ones. As always, our aim is to bring lavish and extraordinary shows to community venues of all sizes, no matter how unassuming or remote! What better entertainment for a winter’s evening than a murder mystery, packed with larger-than-life characters, daft humour and spine-chilling suspense – all delivered to your doorstep!” 

Venue Opens: 18:00
Event Starts: 19:30

Adult Ticket  £15.00, £12 concessions, £10 children (7+)

 

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Saturday March 2nd
7:30 pm

LUKE WRIGHT’S SILVER JUBILEE

Over twenty-five years, Luke Wright has built up a reputation for being one of Britain’s most popular live poets. This year he tries to celebrate his jubilee but ends up taking a deep dive into himself, throwing up questions about class, privilege and his adoption. Edinburgh Fringe smash hit.

“This is the best thing that poet Luke Wright has done, which is saying something.” ★★★★★ The Telegraph

“A winning combination of honesty, humour, ire and wonder. He is at the peak of his powers.” ★★★★★ The Stage

“Breathtaking … with a sharpness and wisdom that lifts the soul, and soothes the battered heart.” ★★★★ The Scotsman

Venue Opens: 18:00
Event Starts: 19:30
Price: £15.00

 

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Friday January 12th
7:00 pm

Before the Flood

Rural Provence, 1975. A typical French village. Cafe, church, a school, bakery, and buckets of gossip, all baking in the heat of the sun. But there’s a storm brewing which threatens the whole community.

How will they survive? The Tolmen Theatre Company is back, with their 7th community show. As moving, funny, and ambitious as ever, they always sell out – book early!

£6/£3 (over 8 & under 16)

Friday 12th January: Time 7pm
Saturday 13th January: Time 7pm

Friday November 24th
7:30 pm

Voloz Collective

The Man Who thought he Knew too Much

Wes Anderson meets Hitchcock meets Spaghetti Western in this multi-award-winning, intercontinental, inter-genre, cinematic caper of accusations, accidents, and accents.

Raucously funny and endlessly inventive, the Lecoq-trained theatre company Voloz Collective delights and stuns with live music and virtuosic acrobatics in this award-winning fast-paced whodunnit. Roger, a Frenchman in 1960s New York, has followed the same predictable routine for years, until a minor delay saves him from an explosion. Throwing his ordered world into chaos, Roger chases his would-be assassins around the globe. 

 

 Tickets £12, £10, Children 8+ £6

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Saturday November 4th
7:00 pm

HELP I THINK I’M A NATIONALIST!

From Seamas Carey

(creator of The Reason Why podcast), comes the controversial sell-out comedy show on identity, second homes, xenophobia and bagpipes.

Who am I? Where do I belong? Is it OK to be a nationalist?
Cornwall is at a tipping point. House prices soar, the population shifts, tensions rise. Some people see it as a separate nation, whilst others see it as a prime holiday destination and playground for the rich.

  • Seamas Carey is confused.
  • He is desperately trying to understand.

He’s watched a wave of gentrification sweep through his rural hometown. There’s nowhere to live, yet second homes stand empty. He wishes Cornwall was more welcoming and inclusive, but watches “up country” money sow division and suspicion.

  • Could closing borders and nationalism be the answer?
  • Where’s the line between pride and power?
  • What happens when it all goes too far?
Seamas needs help. He needs your help…

 

Adult Ticket  £12.00

14+ (under 16s must be accompanied by an adult)

 

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Friday October 27th
7:00 pm

Squashbox Theatre

Shivers and Shadows

Expect an overflowing cauldron of a show, brimming with delightful FRIGHTS and hilarious HORRORS, bubbling with ingenious Puppetry and comedy, seasoned with SCARY STORIES and TALL TALES, flavoured with live music and songs, and topped with a sprinkling of SLAPSTICK and SILLINESS. 

Tickets £10, £8, children 6+ £5

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Friday October 6th
7:30 pm

Nikki Rummer

Unbroken

Physical theatre, circus artist, and storyteller Nikki Rummer tells a personal story of acceptance, love, loss and rage. When one bittersweet Christmas, three generations of the Rummer family are summoned home for one last gathering a dark, previously buried secret finds its way to the surface.

Age guidance 16+. Contains references to sexual abuse and domestic violence.

Tickets £12, £10

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With thanks to Carn to Cove

Wednesday September 20th
7:30 pm

Paganini, Mystery, Myth and Magic

The prototype virtuoso/pop star Niccolo Paganini was one of the wonders of the world when he burst onto the stage in the early 1830s. Thomas Bowes, one of the UK’s premiere violinists, will reawaken the astonishment of those 19th century audiences by playing the first twelve of the hair-raising Caprices whilst Sam Freegard, actor and retired medic will read from contemporary accounts of the story of Paganini’s extraordinary life. 

Tickets £12, £10 

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Saturday May 20th
7:30 pm

Dead Cats

Proto-type Theatre

The latest instalment in Proto-type’s satirically provocative Truth to Power series of plays takes you into the room where the lies begin.

Contemporary politics is a game without defined rules, where artifice and spin are the tools of choice, and where the moves are made across the boardroom table. When one side wins it almost inevitably profits only a select and privileged few.

In Proto-type’s new show Dead Cats, two characters are in the kind of room where they use phrases like ‘collateral damage’, like ‘extraordinary rendition’, and like ‘perception management’. They cover up their dirty words with clean ones, in rooms like this. In rooms like this the language is laundered, and they redact the names.

Following its premiére at Köln’s Theatreszene Europa Festival, Dead Cats performed selected UK dates in 2022 and the tour continues into 2023 including dates at Dartington Hall on Friday 19 May and Constantine’s Tolmen Centre on Saturday 20 May.

Focussing on media manipulation, governmental lies, political protest, secrecy, democracy, power, and influence, Dead Cats blends new writing, performance, film-making, and an obvious plant. It shows, rather than tells, the truths behind the fictions. In the witty script by Andrew Westerside, the conversation between unnamed character A (Gillian Lees) and character B (Rachel Baynton) sees them, spar, argue and banter – papering unsavoury truths over with more palatable interpretations.

‘Rachel Baynton and Gillian Lees work excellently together (as) the play becomes more and more entertaining, engaging and challenging.’ The Reviews Hub

Gillian Lees said ‘In Dead Cats we are investigating the narratives of modern politics and the hierarchies of control that occur through the manipulation of language. That manipulation, of language, of ‘truth’, allows for the manipulation of reality and in turn, how we form our world view’.

‘As recent government announcements and retractions have so clearly (if clumsily) illustrated, it’s all about the game – all about the winning – for our politicians, and they’ll redefine anything and everything to meet their ever-changing agenda’ added Rachel Baynton.

Writer and Director Andrew Westerside explained ‘Cronyism is at the root of much political influence, and the route to political influence is corruption and spin, utilising various mechanisms for presenting alternative truths. Or lies if you prefer’.

Dead Cats is the third contemporary stage-play in Proto-type’s critically acclaimed Truth to Power Project, their socially-engaged exploration of power, democracy, truth-telling, protest, privacy, conspiracy, and control, and firmly embedded in the present day international political arena.

The previous plays in the series were A Machine they’re Secretly Building, which exposed facts behind secret government surveillance ‘a smartly intelligent hour-long whizz through the world of surveillance’ (Lyn Gardner, The Guardian) and The Audit which examined the human cost of the corporate and personal greed. Both received acclaim from critics and audience alike, ‘It made me want to headbutt a bank’ (Audience Response).

Dead Cats is written and directed by Andrew Westerside, devised and performed by Rachel Baynton and Gillian Lees, incorporating film and design by Adam York Gregory with an original soundtrack by Paul J. Rogers. It has been made possible through funding from Arts Council England as well as through the continued support of ARC (Stockton), Lincoln Performing Arts Centre, The Lowry (Salford), Theatre-in-the- Mill (Bradford) & hAb/Word of Warning (Manchester).

£12/£10

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Proto-type are a company of multi-disciplinary artists led by Rachel Baynton, Gillian Lees, and Andrew Westerside. The company has been making work and supporting young artists in the US, the Netherlands, Russia, China, Armenia, France, Zimbabwe and the UK since 1997. Critics have described their work as ‘an intriguing brush with altered reality’, (New York Times), ‘Smartly intelligent… coolly reasoned theatre’ (The Guardian) and ‘enthralling’ (Zambezi News).

‘Proto-type’s team have such imagination and clarity of vision… a great antidote to [a] tangled political landscape’ (Exeunt)

‘It made me want to headbutt a bank.’ (Audience Response)

www.proto-type.org 

Saturday April 15th
7:30 pm

LITTLE SOLDIER PRESENTS NOTHING HAPPENS (TWICE)

We welcome back the wonderful physical theatre pair of comic actors Merce Ribot and and Patricia Rodriguez. They have brought several shows to us in the past – You and Me – a touchingly funny examination of old age – and then their Edinburgh award winning slapstick version of Don Quixote.

Now they are back touring all over the UK with this new hilarious spoof which takes some well aimed potshots at the protective world of classic modern theatre (watch out Sam Beckett’s estate!) and at the same time explores some of the pain experienced by performers when Covid brought their livelihood to a grinding halt in 2020….

Once again Little Soldier have produced a comedy gem – one of the funniest shows we have seen in years.

“After an exciting few years making and touring shows all over the world, Mercè and Patricia have somehow lost momentum and hit rock bottom. They always knew that making theatre would be difficult, but when they have to dress up as flamingos in a shopping centre to make ends meet, they seriously consider giving up.

Can their shared dream of staging Waiting for Godot get them back on track or will their long held ambition be strangled by red tape? A hilarious and sometimes moving exploration of companionship, co-dependency and what motivates us to keep going, even in the face of failure and bureaucratic brick walls.”

Though no knowledge of Beckett’s work is needed, the show’s title – Nothing Happens (Twice) – is an often used ironic subtitle for Waiting For Godot – and this comedy is a merciless sendup both of obscure absurdist theatre – and of the condescending and protective attitudes of those in charge of (particularly Beckett’s) theatrical legacy. Meticulously researched by Merce and Particia, it is peppered with references which will appeal to Beckett nerds everywhere, as well as to the universal themes of frustrated ambition, bureaucratic obstruction and (why not!) the meaning of life!

“Slapstick humour meets Beckett head on in a quest for life’s meaning and purpose”

Development of Nothing Happens (Twice) was supported by Arts Council England, South Street Arts Centre, Ovalhouse, Proteus Theatre, the Golsoncott Foundation, Acción Cultura Española and Creative Europe.

The 2023 tour is supported by House Southeast Theatre Network and Jacksons Lane.

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Mercè Ribot
Mercè trained at East 15 Acting School on the Contemporary Theatre Course.
TV Credits: The Trip (BBC 2) and Charlie Brooker’s Black Mirror (Channel 4).Theatre credits: Told by an Idiot (Heads Will Roll), Small Nose Theatre (Ra-chel and I had a Black dog), Popelei theatre (100 Years), Theatre Delicatessen (Bush Bazaar), Shifting Sands Theatre (The Arabian Nights), El-Alfy Theatre (The Tree Climber), Antler (If I Were Me), Publick Transport (Discombobulated), Move to Stand (The Collision of Things) and Motherlode (Rhum).

Patricia Rodríguez
Patricia Rodríguez is a Gaulier-trained award-winning performer who has collaborated with a number of highly regarded UK and International theatre companies. She has recently appeared in Told By An Idiot’s ‘Heads Will Roll’ and ‘Get Happy’ (Beijing, Luxemburg), and collaborated on ‘BADASS Grammar’ with Keir Cooper and with Flight of the Scales on ‘No Way Out’ (Bauhaus. Berlin). She also toured in Muckers by Caroline Horton (Theatre Royal Bath/Conde Duque, Madrid)

Ursula Martínez, director
Ursula is a highly acclaimed theatre maker, performer and director, who began her career with the iconic queer performance club, Duckie winning the Olivier award for C’Est Duckie, La Clique and La Soirée. Solo shows include My Stories, Your Emails, Free Admission, (Southbank, London and Fierce Festival, Birmingham). In 2017 she co-created Wild Bore with Adrienne Truscott (US) and Zoe Coombs Marr (Australia), commissioned by the Malthouse in Melbourne. In 1998, with Mark Whitelaw, created A Family Outing, an autobiographical theatre piece starring herself and her parents, which she recently revisited, following the death of her father. As a director, Ursula Martinez co-directed award winning Office Party with collaborator Christopher Green, directed Lucy McCormick’s smash-hit, sell-out show Triple Threat and Leah Shelton in Bitch On Heat.

Friday February 24th
7:30 am - 7:30 pm

Help! I think I’m a Nationalist

A last chance to see Seamus Carey’s provocative and stimulating comedy show before it begins a national tour. Sold out across Cornwall it tackles Cornish identity, second homes, nationalism, xenophobia and bagpipes.

16+

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Sunday February 12th
7:30 pm

Beautiful Evil Things by Theatre AdInfinitum

A FIERCE, FUNNY, BLOODY TAKE ON SOME OF THE OLDEST STORIES KNOWN TO WOMAN. FROM A KILLER GORGON.

What if there was another take on the Trojan War, an untold breathtaking adventure you had never heard before?

Enter Medusa. She was there.

Monstrous gorgon? Snakes for hair? A turn-to-stone glare? Perhaps. But she was there – as a bodiless head strapped to the shield of a goddess.

Her forever-open-eyes saw it all: Epic combat. Mighty swords. Giant horse-sculptures filled with men. But as the war raged on, Medusa’s petrifying gaze focused on three extraordinary women who might just hold the key to her ultimate hope.

Beautiful Evil Things is a new, high-energy, one woman show from Ad Infinitum combining physical storytelling with cut-throat wit. Coming hot on the heels of their multi award-winning hit, Odyssey, join Medusa for a thrilling adventure.

★★★★ 
High-intensity performance in Ad Infinitum’s signature style
The Stage

★★★★  
A Greek epic with startling modern relevance
Morning Star

★★★★  
A powerhouse performance
The Fix Magazine

★★★★★ 
Up there among the best shows we’ve ever seen
Lifestyle Distrct

★★★★★
Never was the story of the classical Greek heroes and villains better told
StageTalk Magazine

★★★★★
Absolute masterpiece
Fairy Powered Productions

A tour de force…an outstanding performance
British Theatre Guide

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Ranked  as “4th out of the 10 best theatre shows nationwide for the whole of 2022” by the Guardian theatre critic in a pre-Xmas annual roundup of the year.

Beautiful Evil Things – hair-raising, heart-quickening whirl of myth
 Deborah Pugh delivers a brilliantly intense take on the ancient tales, foregrounding the heroism of women

‘This is the story of my severed head.’ As first lines go, it’s hard to beat for drama. Deborah Pugh speaks as the decapitated Medusa whose head is emblazoned on Athena’s shield. She begins by telling us how it got there and proceeds to other swashbuckling stories: of the Amazon queen Penthesilea, the seer Cassandra, the wronged mother Clytemnestra. They are all hair-raisingly told, though Penthesilea’s fight with Achilles is a showstopper, riveting in its tension and tragedy.

This is a scintillating monologue, co-created by Ad Infinitum’s Pugh and George Mann, which contains centuries of ancient Greek drama in 75 minutes. It is an alternative Iliad, of sorts, which foregrounds the heroism of its women, brave and battle-ready even as they are cast out or killed (though some fates are altered). The gods are as vicious as the men but never once do Pugh’s heroines become victims.

Pugh weaves their complicated stories in full-bodied ways, playing multiple parts with epic energy. Only momentarily do we get lost in the big jumps across time as we are carried by Pugh’s magnetic performance. She wears a white vest and looks part ringmaster, part wrestler. Her performance is variously adrenaline charged, roaring and delicate. She brings tears to your eyes and raises your heart rate.

There are very few props on stage, at the centre of which is a microphone. Pugh slings it in her back pocket and has almost magical mastery over its stand to transform it into a spear, an arrow, an axe and a walking stick (to play Hecuba, broken after Troy’s defeat).

What is as vital to the drama is its exhilarating sound design by Sam Halmarack, with compositions by Pugh and Halmarack, which is as expressive as Pugh’s words. Electronic beats thump, rumble and echo, along with metal, jazz and foley sound effects. Ali Hunter’s lighting throws a campfire hue across the stage, which conjures the sense of a storytelling circle in the oral, Homeric tradition. But there is a clear debt to physical theatre too in Pugh’s enactment. A Lecoq-trained movement director, she acts with her entire body and oozes charisma.

Earlier this year, director Ivo van Hove went “big” in his enactment of Greek tragedy, Age of Rage. This production goes small but feels enormous and epic.

GUARDIAN 3RD NOVEMBER 2022
REVIEW BY ARIFA AKBAR

Saturday February 4th
7:30 pm

Wurlitza Present The Kid by Charlie Chaplin

A black and white film by Charlie Chaplin with an accompanying soundtrack performed live in front of you

A welcome post Covid return for the amazing Wurlitza – a live 5 piece band playing their own devised soundtrack to accompany Chaplin’s black and white silent masterpiece.

Wurlitza shows are worth seeing for the film alone – or for the soundtrack alone. Together they create a musical and movie experience like no other.

Pre show suppers available from Café Tolmen – must prebook by calling Barbara on 01326 340630

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wurlitza.com

Saturday January 21st
7:30 pm

Luke Wright Presents The Ballad Seller

We welcome back the ever popular Luke Wright for another evening of poetry, performance and comic verse

Back in Georgian times we got our news from poetry. Before papers, broadcasts or the internet, ballad sellers would hawk their doggerel on street corners for a penny. Scandalous affairs, grisly crimes, and colourful characters were brought to life in rhyming verse long before the first tabloid was printed.

Now Luke Wright has rewritten the very best of these stories for the modern ear: take a trip through the Drury Lane gin shops with the Boxing Baroness; filch oysters by the dozen with Dando, the celebrated gormandiser; and escape the Bull Ring with Jemmy the Rockman. Expect scandal, excess, and beautiful flawed humanity.

Luke will also perform a second half of his contemporary poems.

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WINNER Saboteur Award for Best Spoken Word Performer 2021

“His performances rumble with rage, passion and humour. They are also peppered with brilliantly smart observations. You will leave his show brimming with energy, heart pounding and brain whirring.” Guardian

“Wright’s full-throated reverie is spellbinding.” The Mirror

Sunday December 4th
3:00 pm

Stones and Bones

Squashbox Theatre

Say hello to one of your stone-age ancestors, see a volcano erupting before your very eyes, and maybe even glimpse a dinosaur or two… Thrills and spills galore, lots of laughs, plenty of puppets, songs, slapstick, tall tales and crazy characters – all presented by the lovely Craig Johnson in that unique Squashbox style!

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Sunday November 6th
7:30 pm

Destiny

Written and performed by Florence Espeut-Nickless
Directed by Jesse Jones

A “captivating” ( ★★★★ The Guardian) show that follows a teenage girl growing up on a Chippenham council estate. Born below the breadline, she’s desperate to see beyond the neighbourhood and find hope in hopelessness.

“They’re sayin I brought it on myself.
Oh yeah, they’ve heard about me. Basically it must’ve been my fault cause I’m me, Destiny”

Destiny dreams big. She dreams glamour. She’s gonna be an MTV Base backing dancer, you watch. If J-Lo can make it outta the Bronx then Destiny can make it off the Hill Rise estate in Chippenham. She’s fearless, ferocious and up for the fight (she’s had to be). Born below the breadline, she’s desperate to see beyond the neighbourhood and find hope in hopelessness.

This monologue follows the story of a teenage girl growing up on a rural Wiltshire council estate. After a big night out takes a turn for the worst, Destiny’s life spirals out of control as she desperately tries to learn how to love and be loved.

DESTINY is a recipient of The Pleasance’s 2021 National Partnerships Award with Bristol Old Vic FERMENT and was shortlisted for Theatre West’s Write On Women Award. It has been developed with support from Tobacco Factory Theatres, Bristol Old Vic FERMENT, Pound Arts, Strike a Light, The Pleasance, Tim Crouch, Wiltshire Creative, Natural Theatre, Paper Arts, Theatre Bristol, Hawkwood College, Arts Council England and Gane Trust.

Florence is a writer, performer and facilitator from Chippenham in Wiltshire. She writes for both stage and screen about / with working class communities in the Southwest in the hope to make the arts more accessible to everyone regardless of background and geographical location.

She is the Writer in Residence at Pentabus Theatre, an Open Session Writer at the Bristol Old Vic and an associate artist at Strike a Light, as part of the Let Artists Be Artists programme.

Content warning

  • DESTINY contains strong references to sexual abuse and violence.
  • There is use of strobe lighting, strong language, adult themes, loud music and flashing lights in this performance.
  • Age guidance: 14+
  • Half-price for under 25s

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Captivating solo show stares down the darkness

★★★★

Getting drunk or looking for love, Florence Espeut-Nickless’s character commands the space, finding hope amid despair.

Destiny is preparing for a big Thursday night out in rural Wiltshire. She leads us to her local nightclub, Karma, where the drinks are 50p and the evening will ultimately go sour, setting her on a path of desperate longing for love.

Though her existence is littered with misfortune – including distant parenting, limited finances and sexual abuse – she is full of hope. She has faith that things will get better. She dreams of showbiz and of being an MTV Base backing dancer. Her fantasies are long-lasting, her resilience inbuilt.

It is difficult not to warm to Destiny, written and performed by Florence Espeut-Nickless in a monologue directed by Jesse Jones, presented online for the Edinburgh fringe and supported by the Pleasance and by Bristol Old Vic’s Ferment programme. Despite her surface-level confidence, there is a naivety to her storytelling. As she repeatedly makes decisions that end in inevitable pain, she manages to find humour in her darkest moments – and you can’t help but laugh along, even if it’s at her fantasies about a TV presenter while she is having sex with a man much older than her.

The spare set, designed by Joseff Harris, features quick-changing lights and a single chair: we’re almost completely reliant on Espeut-Nickless’s ability to command the room. This filmed version is performed to a live audience, and Destiny’s spirit is engaging early on.

If her story is one we’ve probably heard before, it doesn’t make it any less authentic – and it is captivatingly told in the West Country vernacular of Destiny’s community. With endearing personality, she does them proud.

Written by Anya Ryan.

Friday October 21st
7:30 pm

Fanboy

Worklight Theatre (Joe Sellman-Leava)

With 4 star reviews from the Edinburgh Fringe, Joe’s newest show about his life as a nerd. Now in his thirties, he’s still obsessed with Nintendo and Star Wars. But he’s started to notice something about the way some fans are behaving. Something unsettling. Back in his old room, sorting through his things, he finds an old video tape. He presses play…and something incredible starts to happen! Epic storytelling, razor-sharp impressions and a dose of theatrical magic!

 Visit Show Website

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★★★★★

Fringe-first award winner Joe Sellman-Leava (Labels, Monster) is back at the Fringe with his new work Fanboy in which he explores his relationship with his past and future self. It’s a fascinating piece that is full of surprises and which he describes as a ‘love-hate letter to pop culture and nostalgia’.

An emotionally charged, joyful yet heart-rending piece of theatre

He starts with an introduction to the fanboy species in the well-captured voice of David Attenborough, the first of several famous people who will emerge during the course of the play. The specimen in front of us is Joe and while Sellman-Leava doesn’t look as nerdy as some of that ilk, he has many of the essential elements. In his teens he tried to hide his disposition. In his twenties he assures us he owned it, but the issue is that he’s never grown out of it. Hence in his thirties he is still obsessed with Nintendo, Star Wars and A Muppets Christmas Carol.

In the loneliness of his childhood bedroom he begins to sort through some old stuff and finds a dusty video tape. To his surprise it reveals his days as a young boy and he begins to interact with it. This begins one of the most brilliantly synchronised performances between an actor and technology that requires impeccable timing, co-ordination and cuing. Technical Designer Dylan Howells achieves this and Joe engages in conversation with him on the sound and lighting deck at the back of the room, speaks with his younger self and also shares his story with us in direct address. We discover the excitement and disappointments of his friendship with Wayne, his relationship with Gaya and uncle Obe. In a twist to reality, Trump and Farage impinge on his life and he has to face the rise of ideologies he cannot espouse and the realisation that fandom applies as much to the living as the imagined. Super heroes exist out there in political arenas but they are not for him.

This is a very personal show, but it never becomes indulgent. There is openness in his divulgences that are told with honesty and much humour. The script has literary qualities with penetrating metaphors that provide depth of meaning and insights. Beneath the surface lurk issues of obsession and escapism, loneliness and mental health. It’s a penetrating overview of life, looking back at what we were, coming to terms with what we are; wondering what we might be. And what if we had done things differently? Can we remain in the safety of childhood memories, hiding from the world, or must we move on and face a new reality? Does a time come when pop-culture and fandom is no longer sufficient to deal with the emotional trials of adulthood and relationships.

As always, Sellman-Leava shines as the hero of this piece, but perhaps more than ever this work reflects the imaginative contribution of others: Director Yaz Al-Shaater, whose film experience is clearly evident, Dramaturg Lauren Mooney and lets say it again for Howells; the team that has made this innovative, multi-disciplinary show.

But don’t think it’s all about technology. This is an emotionally charged, joyful yet heart-rending piece of theatre. Take your tissues if you are as vulnerable as I found myself to be.

Richard Beck
@realRichardBeck

Friday October 7th
7:30 pm

The Last Motel

The Last Motel is a psychological thriller that sits somewhere between Fargo and Inside No. 9.

At first the piece seems to present a classic hostage situation, played out in real time, within an American-style motel room. A masked robber enters, carrying a helpless female bound and unconscious.

But things aren’t quite as they seem.

The robber is a middle-aged widower in the midst of a mid-life crisis; the hostage is a vicar with radical ideas on over- population and the climate crisis; and the motel isn’t in America – it’s somewhere on the outskirts of Barnsley.

On stage, we witness a power struggle, where it becomes unclear who has taken who hostage. Over the hour, tension ramps up with phone calls from reception, knocks on the door and the police closing in.

The Last Motel was inspired by concerns over an increasing population and finite resources. The play subtly draws comparisons between the short termism of humankind and questions why natural disasters and diseases occur.

All ages (under 14s must be accompanied by an adult)

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MORE +

Reviews of The Last Motel, when performed at Edinburgh Fringe Festival 2014:

“A kind of homespun Fargo with more theatrical flair”
★★★★ (Bridley Addison-Child, Edfringe Review)

“The plot has remained bobbling around in my head”
★★★★ (Tom Gellatly, Edfringe Review)

”Genuinely moving. I left with a few new thoughts planted in my mind”
(Fringe Guru)

The Last Motel at Cast, Doncaster, Wednesday 14 September 2022:

This deft two hander packs a punch and lives up to its billing as a cinematic tour de force. Slow Tarantino for people who prefer their blood and guts in the mind.

The opening sequence in this new play written by Jeremy Fletcher, presented by Sheepish and directed by Marcus Bazley plays out with stunning economy and pays homage to such classics of cinema as Paris Texas with a Ry Cooderesque soundtrack and a lamp lit set that recalls Psycho. The glorious visual set pieces set the emotional tone which the two performers coil around their collective physical exchanges. So much hinges on subtle details pulled into an ever sharper focus.

Performed with to die for precision by Jeremy Drakes and Angela Rose, The Last Motel is an entertaining and superbly funny burst of Yorkshire noir that somehow combines tropes of thrillers past from Double Indemnity to Reservoir Dogs. The intensity of the single room setting heightens the tension and the meditation on grief and pandemic that corners this mismatched couple trapped in a motel room seven miles from Barnsley makes the ending a sun baked twist of epic proportions.

This is serious theatre delivered with panache and skilfully supported by a thrilling use of sound and light. Go and bathe in the glow that this flick throws out with chilling humour and slow burn thrills made all the more plausible by two deliciously judged performances. Dirty Barry indeed. The Last Motel hits home in the darkest of Yorkshire triangles.

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Sunday May 15th
7:30 pm

Cupid’s Revenge

New Art Club

The latest dance theatre comedy show by electric performance company, New Art Club is a joyful, physical and verbal outburst against the forces that masquerade as love. In today’s disposable world where love is used to sell us everything from plug-in cars to yoghurt.Where did real love go. Romantic love. Love between friends. Love between you and the people you love.

With thanks to Carn to Cove

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Saturday April 2nd
7:30 pm

Slug…and other things i’ve been told to hate

Ted Hughes Award winner Hollie McNish is a poet whose live readings are not to be missed. Expect strong language and adult content ribbon wrapped in carefully and caringly sculpted poetry as Hollie reads from and chats about her much anticipated new collection: Slug…and other things i’ve been told to hate.

Holly McNish

About Slug…and other things i’ve been told to hate

From Finnish mermaids and soppy otters to Kellogg’s anti-masturbation pants, Slug is a book that holds a mirror up to the world, past and present, through Hollie’s driving, funny and beautiful words. A blend of poetry, memoir and short story, Slug is an absolutely joyful read about the human condition: from birth to death and her attempt to manage the tangle in-between.

Hollie McNish is a writer based between Glasgow and Cambridge. She has published four poetry collections Papers, Cherry Pie, Plum, Slug, one play Offside and one poetic memoir Nobody Told Me, of which the Scotsman suggested “The world needs this book” and for which she won the Ted Hughes Award for New Work in Poetry. She was the first poet to record at Abbey Road Studios.

Her poems have been translated into French, German, Spanish, Hungarian, Polish and Japanese and she has performed them worldwide alongside the likes of Irvine Welsh, Kae Tempest, Jackie Kay, Helen Pankhurst and Young Fathers. Her new title – Slug: and other things I’ve been told to hate – is published in May 2021 with Fleet, Hachette, available now to pre-order.

As well as live readings, Hollie is a big fan of online accessibility – her poetry videos have attracted millions of viewings worldwide.

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  • “One of the best poets we have”. – Matt Haig
  • “Her writing is sublime” – Ellie Taylor
  • “Gorgeous Fingering Poems” – Bryony Gordon
  • “like Pam Ayres on acid” – Lemn Sissay
  • “Stellar” – Vanessa Kisuule
  • “Mad craic” – Ray Lawlor, twitter
  • “Rubbish” – Ellie Wheeler, The Telegraph
  • “I like some poetry but not really yours” – Hollie’s daughter

Sunday March 6th
3:00 pm

A Real Fiction

aKa Dance Theatre

Fasten your seatbelts. A Real Fiction is coming and it is filled with fun, funk and foam bananas. aKa want to bring communities together.They have been creating turbulently happy works since 2014. A great family show.

“So fun, so much laughter and sooo much energy”…Mandy Loxton.

Tickets £10, Children 7+ £5, Family £25 (2+2)

With thanks to Carn to Cove

Although the Tolmen Center performance has been cancelled, this show is playing at Mounts Bay School on 18th and Perranporth on 19th March.

Sunday February 20th
3:00 pm

Vinland : A Viking Adventure

Jack Dean and Company

Set sail with Freydis and her son Snorri on a Viking adventure…

..brought to life through storytelling, animation and live music. Join her crew of explorers as they come face to face with ghosts, monsters and wild gooseberries.Vinland retells the incredible historical tale of theVikings last journey to North America inspired by the Viking sagas of Erik the Red and his family. A visually brilliant family show.

With thanks to Carn to Cove

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Tickets: £10, Children 7+ £5, Family £25, (2+2)

Saturday January 22nd
7:30 pm

Luke Wright

WINNER Saboteur Award for Best Spoken Word Performer 2021

Whether he’s opening for the Libertines or reciting Georgian ballads down your local, Luke Wright is adept at taking poetry places it doesn’t normally go. John Cooper Clarke’s regular warm-up guy writes poems that are tender, riotous, caustic and romantic then delivers them with the ferocity and panache of a raconteur at the top of his game.

This is an ALL-NEW show with deliciously funny poems set against a backdrop of pandemic politics, ageing parents, and the endless, droning culture war.

Wright’s third collection The Feel-Good Movie of the Year is out now from Penned in the Margins. Ian Duhig calls it a “a terrific new book: subtle, nuanced and movingly personal. A hurt man taking stock in fresh words.”

Supported by Arts Council, England
Photo by Emily Fae
Video by Mark Hannant

Sunday December 12th
3:00 pm

The Christmassy Christmas Show

The Christmassy Christmas Show of Christmassy Christmasness! is a celebration of everything Christmassy, from fir trees, fairy lights, sleigh bells and snowflakes to crackers, carols, presents and puddings!

Join Craig as he goes on a quest to find The Twelve Sprouts of Christmas, and along the way spot some naughty elves, meet a wise-cracking snowman, say hello to an over-excited Christmas puppy, endure the world’s worst Christmas jumper and gaze in wonder at the “beautiful” Christmas fairy…

Tickets £7 adult, £3.50 children (4+), £20 (family 2+2)

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Saturday November 13th
7:30 pm

I AmDram

In this debut piece of storytelling performance, Hannah Maxwell hops a train back to her hometown where her family have been leaders in the AmDram scene in Welwyn Garden City going back generations.

I AmDram is a hilarious ode to the institution of AmDram, to passion and to families, both biological and forged in fire and folk art.

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Friday October 8th
7:30 pm

Antigone, Interrupted

Scottish Dance Theatre

This new work by choreographer Joan Clevillé packs all the drama and passion of a Greek tragedy into a one-woman show. Mixing dance with storytelling and sprinkled with a dash of humour, Antigone, Interrupted is a tour de force by acclaimed performer Solène Weinachter, who Tolmen audiences will remember from her wonderful performance in Lost Dog’s Juliet and Romeo.

What do you do when the state becomes the oppressor? Would you put your body on the line?

A young girl ready to die to defend what she thinks is right. A king determined to impose his will as the rule of law.

Antigone, Interrupted re-imagines a classic story for a contemporary world through the body and the voice of a single performer.

Scottish Dance Theatre Artistic Director Joan Clevillé presents an intimate solo work created in collaboration with acclaimed performer Solène Weinachter. Using his distinctive mixture of dance, theatre, and storytelling, Clevillé examines the notion of dissent in democracy, and how the female body can be the target of oppression but also a powerful tool for resistance.

With thanks to RTDI and Carn to Cove

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Thursday September 30th
7:30 pm

Twisted Tales 2

‘Owdyado Theatre

Back by popular demand is Twisted Tales Vol. 2; a new show by ‘Owdyado Theatre Company touring in 2021. Following on from the huge success of Twisted Tales, which toured across the country in 2018 and 2019, this show is a new trilogy of darkly comic ‘tales’.

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Saturday September 18th
7:00 pm

John Hegley

“The Further Adventures of Monsieur Robinet”

We are thrilled to welcome back John Hegley to brighten our lives. His previous visit in 2019 was hugely well received by old and young alike and his new show will bring us new delights from this poet, musician, comedian and wordsmith. Whether it’s in songs, or clever and unexpectedly structured poems, he hits the spot with all ages and brings in the laughs.

A happy show for all the family and highly recommended.

Please note early start time. Café Tolmen suppers available pre-show from 5.30.  Phone Barbara on 01326 340630 to book.

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Tuesday June 29th
7:00 pm

AT CONSTANTINE SCHOOL

MIRACLE THEATRE PRESENTS STARCRAZY

In association with Carn to Cove and with help from The Tolmen Centre.

A welcome return to Constantine for Cornwall’s renowned theatre company – producers of wonderful outdoor shows for the summer.

Tickets are available online only from the Carn to Cove or via the Miracle website.

WEBSITE

Socially distanced audience max 90

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Sunday June 20th
3:00 pm

Science Adventures : The Power Pickle.

Coppice Teatre

This is a lovely Sunday afternoon show for children and families. Weather permitting it will be held outside in the garden at the Tolmen, otherwise it’ll be inside.

Covid restrictions will limit the number of tickets, and adults may have to wear face coverings and obey social distancing. We’ll probably arrange the seating into family groups, to keep separate from each other, and we’ll all have to keep to the rules!

Tickets:
Children £3
Adults £5
Family Ticket £15 (max 4 people)
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The Assembly of Animals by Tim Spooner

THE ASSEMBLY OF ANIMALS comes to the Tolmen Centre for two performances. Part installation, part sculpture, and part puppetry performance, this is an exciting addition to our spring programme as part of the  “Festival of Curious Puppetry”. The show, which is suitable for all ages from 3 upwards, lasts about  half an hour, followed by an opportunity for  audience members to  explore the objects used and see how they function.

The Assembly of Animals has been performed widely across the UK and Europe to audiences of all ages and has been part of the British Council Showcase, which takes standout shows from the Edinburgh Fringe to wider audiences.

Tim Spooner is a visual artist and performance maker.   Exemplifying the low-tech, handmade yet magical quality of Spooner’s work, The Assembly of Animals is a series of demonstrated experiments, where the performers assemble, reorganise and animate an array of ingeniously constructed ‘animals’ of very different sizes and forms. Magnets, motors, inflating objects, travelling glowing liquid and other mechanisms give this complex installation a movement and life of its own.

Think of it as a series of ‘performed sculptures’ which fuse scientific experimentation together with puppetry. Creating vibrating compositions of living and inanimate matter through a combination of sound, electricity and often mundane everyday materials.

Tim Spooner’s idiosyncratic and unique performances attempt to expand our understanding of the physical world by revealing the inner life of objects.  Spooner’s work - usually non-verbal but full of vibrant sound – appeals to all ages.

After the performance, the audience is invited to explore the objects more closely and to discover the ways they function.

“Tim is an artistic inventor and creates this carefully constructed world, the delicacy of which requires consistent marvelling and leaves children entertained throughout”   (Theatre Bristol Writers)

“Absolutely fascinating, undeniably bonkers” (Children’s Theatre Reviews)

NOTE: This show is quite abstract in form, and is a long way from being a conventional puppet show. Expect to be surprised…. and inspired!

Performances at 2pm and 5pm

Tickets £5

DRIP DRIP DRIP

By Pipeline Theatre

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Following their introductory tour early last year, DRIP DRIP DRIP has been recast and rewritten for its new nationwide tour in 2020.

We are fortunate to have the only performance in Cornwall on this tour, as the company journeys across the country, ending with a long run at the Pleasance Theatre in London.

In its new form and with a new cast, the play retains it's powerful examination of racism and political extremism, in the context of our beloved NHS in 2020.

As with all Pipeline's work, and with Jon Welch's writing, this is a play that merits seeing for a second time, especially as it has evolved in keeping with the changing circumstances facing the country and the NHS.

And if you missed it last time, grab the only chance to see it at The Tolmen Centre, Pipeline's  home venue -  from where all their work has originated.

Below are a few sample reviews from the 2019 tour:

'Pipeline Theatre might be a tiny company from deepest Cornwall, but its work is creating theatre for the enquiring mind. What they have exposed in this production is profoundly alarming and deserves a much wider audience.'
British Theatre Guide

'This is an astounding piece of studio theatre, Pipeline is a company deserving of greater recognition.' 
number9reviews

“This piece made me laugh, brought a tear to my eye and flung me into worlds I'd never taken the time to venture into before. Perhaps most importantly, it left a lasting, powerful impression and a little hope that we might move past this time of division. In a time where nationalism is the newest superbug, this couldn't come sooner.”
Voicemag

Tickets £10 (concessions £7)

Tales from the Trees

Squashbox Theatre

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‘Tales from the Trees’ is a terrific tangle of puppetry, storytelling, live music and comedy, with a theme that embraces natural history, folklore and ecology.

Listen! The trees have tales to tell. Meet some friendly forest creatures and encounter crazy characters from folklore and fairy tales!...

Tickets £5, Children £2.50, Family £12

The Remains of Logan Dankworth

by Luke Wright

I believed that Fukayama line: the end of history. But History didn’t end, did it?

Logan Dankworth, columnist and Twitter warrior, grew up romanticising the political turmoil of the 1980s. Now, as the EU Referendum looms he is determined to be in the fray of the biggest political battle for years. Meanwhile, Logan’s wife Megan wants to leave London to better raise their daughter. As tensions rise at home and across the nation, something is set to be lost forever.

The third of Fringe First and Stage Award Winner Luke Wright’s trilogy of political verse plays looks at trust and privilege in the age of Brexit.

“Luke Wright’s performances rumble with rage, passion and humour. They are also peppered with brilliantly smart observations. You will leave his show brimming with energy, heart pounding and brain whirring.” The Guardian

Written & Performed by Luke Wright
Directed by Alex Thorpe
Dramaturgy by Sarah Dickenson
Scored by Polly Wright
Lighting Design by Joe Price

Co-commissioned by Norwich Arts Centre, National Centre for Writing, Colchester Arts Centre, Freedom Festival

Running time: 1h
Age Recommendation: 14+

Tickets £10

A Christmas Carol

Guy Masterson

Globally acclaimed for his smash hit solo works such as Under Milk Wood and Animal Farm, Guy Masterson now brings us Dickens’ classic festive fable. Bringing the entire story to life in a magical multi-character performance, Dickens’ extraordinary myriad of personalities – from Scrooge to Marley, Mrs Fezziwig to Tiny Tim – are stunningly animated in Masterson’s inimitable, multi award winning style.

Tickets £10, Child £5

Steamed

Closer Each Day Company

Distinctly Dickensian and entirely improvised, created on the spot from your suggestions, a new comedy show, co-produced with The Wardrobe Theatre, a chance to enjoy improv in the time of cholera!

“Quick-witted, very watchable ensemble, razor-sharp in timing and delivery.” StageTalk

Tickets £10, Child £5

Nobody likes a Pixelated Squid

An outstanding double bill: ‘Origami Mami’, Tentacle Tribe’s acclaimed female breaking trio featured at Sadler’s Wells ‘Breakin’ Convention’, is followed by ‘Nobody likes a Pixelated Squid’ , a “deconstructed street dance” inspired by the fluid movement of diverse land and sea creatures.

In association with Carn to Cove.

Tickets £10, £8, Children £5 Family £25

New and Selected Potatoes

John Hegley

In an ideal world, John Hegley would be mass-produced and sold in the shops. Not his books, they’re already out there, but the man himself. He’d cheer everyone up and distract you long enough to forget what you were bothered about.Whether it’s at his ludicrous drawings, silly join-in songs, or clever and unexpectedly structured poems, he hits the spot with all ages and brings in the laughs. If everyone could see life and each other through his glasses I bet the world would be a sweeter, safer, better and funnier place.

Tickets £12, £10, £5 Children from 9.

Karamazoo and Bike

A stunning double bill from Cube Theatre.

‘Karamazoo’ by Philip Ridley tells Ace’s story. She’s irresistible. Her image is everything and no one - no-one! - ever stands her up...until today.

‘Bike’ by Jon Welch
Karen’s parents, on Karen:, 17, fearless cycling champion; a sweet natured young lady. Karen’s parents are worried. She won’t come out of her bedroom. Which is odd, given she’s such a go-getter. Odder still is what she’s doing in there...

Tickets £8. In aid of the Sowenna Appeal.

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In Loyal Company

David William Bryan

Bursting with energy and bold theatrical strokes, David William Bryan tells the true story of his great uncle Arthur who never thought of going to war until the Liverpool bombing raids of the Second World War. In May 1941, he joins up. Deployed to Singapore, his ship is destroyed by Japanese dive bombers and he is declared missing.This extraordinary true story of survival is a dramatic tour-de-force.

‘A tour de force’ (The Scotsman)
‘A fresh sense of humanity’ (Stage)
‘A masterpiece’ (Broadway Baby)
★★★★★  (BroadwayBaby.com)
★★★★★  (Britishtheatreguide.info)
★★★★★  (MyTheatreMates.com)
★★★★★ (Edinburgh Guide)
★★★★ (The Stage)
★★★★★ (Fringe Guru)
★★★★ (Edinburgh Reporter)
★★★★★ (Essential Surrey & Southwest)

Tickets £10

 

1927 Theatre – Roots

A preview showing.

We need to know who we were, so we can imagine who we might be.

Acclaimed theatre company 1927 (Between the Devil and the Deep Blue Sea, The Animals and Children Took to the Streets) has unearthed a series of rarely told folktales that offer a glimpse into imaginations from a pre-industrialized age. Tyrannical ogres, magical birds, and very, very fat cats are brought to life with the company’s signature fusion of handcrafted animation and storytelling, with a live score. We are incredibly lucky to have this preview showing of their newest work before it premieres in America.

Please note that this is a first public showing of Roots, and as such has an element of 'Work In Progress' to it - it is a staging post towards its opening in America later in May. It won't be quite the finished product , and there may be some rough edges - that's inevitable in the process of bringing a complex stage work to completion. But we are delighted to ask our audience to share in this process, and get to see this new work so early in its evolution.

Tickets £10

Twisted Tales

‘Owdyado Theatre

Twisted Tales is a hilariously dark triple bill of riotous comedies that reveal the darkness under the domestic, the lengths people will go to for love, and how to wash blood stains out of a carpet. Inspired by cult series TheTwilight Zone and Inside Number Nine, this series of dark comedies is co-written by Daniel Richards and Charlotte Bister and distinguished Cornish writers Brett Harvey and Jon Welch.

Tickets £10, £8, 14-18 £5

Drip Drip Drip

Pipeline Theatre Preview

In overstretched NHS hospital, a trainee nurse from Eritrea and a Muslim doctor treat David - cancer patient, discredited academic, and racist. As life ebbs, reality splinters, jumping between the Nazi euthanasia programme, a burns clinic in Africa, and a National Front march in 1977. But the most pressing reality of all is that Professor David Jeffs has a lecture to finish, and time is running out.

Pipeline Theatre, known for indelible characters and breathtaking production values, takes you on a break-neck, darkly comic and taboo-busting journey through an NHS phantasmagoria.

Mistero Buffo

Rhum and Clay

A travelling storyteller, a gig economy worker, rushes from his last delivery of the day to recount ancient tales of Jesus and his life... however these versions aren’t like any you’ve heard before. Darkly comic, sometimes tragic and always subversive, Mistero Buffo takes aim at those who manipulate truth and belief for power and controlWinner of The Stage Edinburgh Award 2018One of The Guardian’s and The Stage's “Best Shows at the Edinburgh Festival 2018”★★★★★ The Stage, What’sOnStage, British Theatre Guide, Edinburgh Guide, Broadway Baby★★★★ The Guardian, The List There's also the press quotes we've pulled:★★★★★ “This is, in short, a tour de force … a shapeshifting, body-popping, mesmerising performance; drilled to perfection” – WhatsOnStage“★★★★★ Magnificent … an astounding performance”—The Stage“★★★★ An enthralling restaging of a Dario Fo classic”—The Guardian

“Spooner tackles a huge cast of characters...with astonishing sharpness and clarity.”...The Guardian.

“Magnificent production...an astonishing performance.” ..The Stage.

"Go and see this show right now.

As a mime he is flawless, as a storyteller he is utterly compelling.

I just wanted to get that out before wasting any more time. Now to the review."

"As we walked up the winding staircase to Underbelly's Big Belly space the walls were dripping with what felt like the sweat of a thousand performers and audience members. We ducked into the venue and the air was thick. The scene was set for an intense 75 mins of possibly the best physical theatre you'll see in this year's Fringe.

The Lecoq-trained company Rhum & Clay present Dario Fo's 1969 comical mystery play, Mistero Buffo, with a furious energy and technical skill that was absolutely deserving of the standing ovation it received.

Julian Spooner is the Jongleur. An itinerant performer from the middle ages who is given the freedom to speak truth to power by Jesus. He roams from city to city, performing to the assembled crowds (that evening, we were his crowd), telling versions of stories from the Bible that attack the powerful in favour of the people.

Fo's play, translated by Ed Emery and tweaked by Rhum & Clay, is the foundation on which a formidable performance by Spooner is built. It's the solo performance at the centre of Mistero Buffo that's remarkable here. It's the way he shapes and transforms the space as the stories and scenes unfold. It's the 100+ characters he flickers between with ever-increasing rapidity, climaxing at the resurrection of Lazarus where he conjures up an entire crowd out of thin air. As a mime he is flawless, as a storyteller he is utterly compelling.

But Mistero Buffo isn't merely a technical marvel. Fo's text is subtly spun through the lens of modern itinerant and gig-economy workers, sliding this 50-year-old spectacle gently into contemporary relevance. There's nothing heavy-handed about the way that Rhum & Clay present it though: it deftly dances between the timeless and the modern.

After the standing ovation had died down, Spooner did a customary 'thank you' to the audience, and mentioned the workers rights organisation (organise.org.uk) they have partnered with. The story of the Jongleur and the downtrodden people he speaks for is insanely relevant today. In fact I would have loved to see a little more of that in the piece. More relation to the "corporate-dominated post-truth world" that they talk about in the blurb. But it's a minor criticism, and the opening scene sets this up nicely.

Whether you go for the political allusions and biblical deconstruction, or the spectacle of a performer at the absolute top of his game, Mistero Buffo demands your time. Buy a ticket now, before they sell out."

...Broadway Baby ***** August 2018

Tickets £10

Ghost Stories: Tales of the Supernatural

The Paper Cinema

A bewitching new production based on ghostly tales. Beguiling pen and ink drawings are magically brought to life by two puppeteers and a projector to create a unique, animated film. They are joined by a hugely talented ensemble of multi-instrumentalists performing the atmospheric soundtrack live on stage.

‘ingenious and beautiful... bound to delight’  The Telegraph

Tickets £10, £5 Children

Luke Wright, Poet Laureate

After the hugely acclaimed What I learned from Johnny Bevan and Frankie Vah, we’re delighted to welcome back Luke Wright. With a new Poet Laureate due to be announced in 2019 he’s chucking his hat in the ring. But let’s be honest, he’s a dark horse at best. But Luke really does care about Britain, so he’s on a mission to write poems that might be able to unite a nation divided by austerity and Brexit. Luke delves into the murky world of poets laureate past: the heroes, the villains, and ones who didn’t even write poetry.

‘One of the funniest and most brilliant poets of his generation’ ..The Independent

‘Pulsating poetic story-telling’ ..The Guardian

Tickets £10
Age category: 14+

Rocky Shock Horror

The Wardrobe Theatre brings you another of its signature, darkly comic, grownup shows – a loving, playful fusion of the boxing classic with the cross-dressing cult musical masterpiece. A scary-sexy,knock-out comedy that always punches below the belt.

Tickets £10, £8

Juliet and Romeo

Lost Dog

Following his tour de force, Paradise Lost, Ben Duke’s new show reveals the real story of Romeo and Juliet. They didn’t die in a tragic misunderstanding, they grew up and lived happily ever after.

Well they lived at least. Now 40ish, at least one of them in the grips of a mid-life crisis, they feel constantly mocked by their teenage selves and haunted by the pressures of being the poster couple for romantic love.

“Pure pleasure. Smart, subversive and sexy.”........The Guardian “Squirmingly funny and no less heartbreaking.”...The Times “Glorious. Full of warmth and intimacy.”.....The Independent

Taken from David Lane's review:

“I had the joy of seeing this last night at Déda in Derby. I’m so glad I did, as it’s wonderful!"

"This is really a piece of theatre inter-laced with dance. There’s lots of dialogue, much of which is very funny – the audience was laughing out loud at times. At others times it’s incredibly sad. The beauty of the show is the tenderness and connection between the 2 characters, and the parallels and contrasts with Shakespeare’s star cross’d lovers. You’ll find yourself thinking about your own relationships too. The show definitely respects the original story while embracing some of its silliness – there’s honesty and authenticity in this performance. The choice of music is so apposite. It’s music with baggage, which will trigger memories in the audience, and it underpins the dance beautifully. Juliet & Romeo should appeal to a wide audience spectrum: theatre lovers, Shakespeare buffs, dance enthusiasts, and to anyone who has ever loved!"

"I asked some of the audience for their reactions to Juliet & Romeo last night. Those who helped me were overwhelmingly positive – here are some quotes:”

  • “The most beautiful thing I’ve ever seen”
  • “Equally funny, and beautiful, and moving, and touching – I cried lots at the end”.
  • “It’s absolutely blown me way – it’s the best thing I’ve ever seen!”
  • “Everyone’s heard of Romeo & Juliet, but this is a great concept – a really,really clever idea delivered beyond my wildest expectations.
  • “This is an amazing blend of the very small ups and downs of a domestic relationship, mixed with the history of Romeo & Juliet, and then some beautiful dance which tells a very powerful story”.
  • “I definitely want to see this again” (several people said that)

In association with Carn to Cove Tickets £10, £8

Give Me Your Love

Ridiculusmus

Welcome to the world of war veteran Zach. As the last man standing, Zach has retreated into a tiny dugout under a barrage of hostile fire. His enemies are cunning,using every trick in the book to mess with his mind. Even the landscape is weird: it’s a cardboard box, in Zach’s kitchen, in Port Talbot. Hilarious, poignant, haunting, strange and unforgettable.

“Ridiculusmus at their best”....The Stage

Tickets £10, £8

Great Train Robbery

Scratchworks Theatre

Four train robbers were never caught. What if the anonymous four were women, hired to clean the robber’s hide-out? After all in 1963 who would suspect a woman? Using a raucous combination of physical theatre, live music and clowning Scratchworks uncovers the truth about history’s forgotten women.

Non-stop invention and hilariously funny.

Tickets £10, £8, £5 children

Open Clasp: Key Change

Play screening

We saw this wonderful show live in Edinburgh in 2015 when it won the Carol Tambor Award and was whisked off to New York.

Sadly we couldn’t get the live show to Cornwall, but this film of the stage play is the next best thing. Devised by women in an HM Prison, The Guardian described it as “exquisite…singing with everyday poetry as if the devising had unlocked a waterfall of creativity.”

“moving, intimate and superbly acted”…..New York Times

Leviathan

Leviathan is the critically acclaimed work by award winning Cornish choreographer James Wilton.

Leviathan follows Ahab, a ship captain hell-bent on capturing the white whale: Moby Dick, a beast as vast and dangerous as the sea itself, yet serene and beautiful beyond all imagining.

Ahab’s crew are drawn into the unhinged charisma of their captain, blindly following him on his perilous adventure towards almost certain destruction.

Multi-award winning choreographer James Wilton re-imagines Herman Melville’s seminal novel, Moby Dick.

Featuring a cast of six, Wilton’s trademark blend of athletic dance, martial arts, capoeira and partner-work, Leviathan will have you on the edge of your seat.

It will leave you gasping for air under the sheer ferocity of movement, all accompanied by a powerful electro-rock soundtrack by Lunatic Soul.

Leviathan is man versus nature; be careful what you fish for.

Tickets £10 (£8 concessions) from 01326 341353 or online via www.tolmencentre.co.uk

Police Cops in Space

The multi award-winning comedy trio are back with their critically acclaimed EdFringe sell-out comedy; set in the most dangerous place on Earth ...Space.

Sammy Johnson, the last Police Cop in the universe, blasts off in an unmanned escape pod. Now on a distant planet, Sammy must team up with Alien fighter pilot Ranger and his trusty Cyborg C9 as they embark on an intergalactic adventure to find Earth, avenge his father and become the best damn Police Cop in space.

“Big, consistent laughs..it’s not just funny, it’s exhilarating”  ...The Guardian

Tickets £10, £8

Translunar Paradise

Theatre Ad Infinitum’s wordless tale of life, death and enduring love returns to tour the UK and Chile following years of extensive international touring amassing nine awards.

Original performers George Mann and Deborah Pugh are joined by Sophie Crawford to retell, with precise gesture and touches of humour, the story of widower William who escapes to a comforting world of fantasy and memories rather than confront his grief. From beyond the grave, his wife Rose returns to help him let go. This poignant, life-affirming tale uses intricate and lifelike hand-held masks – created by Madame Tussaud’s senior sculptor Victoria Beaton – to travel back and forth through William and Rose’s relationship, wordlessly conveying a lifetime of memories in 75 minutes.

How it all started…

Theatre Ad Infinitum  premiered Translunar Paradise at the 2011 Edinburgh Festival Fringe and experienced an overwhelming response from audiences and professionals alike receiving three awards and three award nominations, selling out our run at The Pleasance Dome, and picking up four & five star reviews across the board.

Following this success the show went on to win a total of nine awards internationally and has toured extensively in the UK in Sept-Oct 2011, Jan-Feb 2012, and Oct-Nov 2013. They  were thrilled to sell out a week long run at the They were thrilled to sell out a week long run at the London International Mime Festival at Barbican in 2012, a week at the Bristol Old Vic and many nights in venues across the UK (including at The Tolmen Centre).

The piece returned to the Edinburgh Festival in 2012 and sold out for a second consecutive year.

Translunar has also enjoyed extensive international touring in Bogota at the Ibero-American Theatre Festival, Colombia and going on to tour in Brazil for three months with Galharufas Producoes, in Italy, Norway, Israel, Greece, Croatia, Ireland, Sweden, The Netherlands, Belgium and the USA.

Awards

The Wijkjury First Prize Award, The Netherlands 2014 | Argus Angel Award 2012 (Brighton Fringe) | Liverpool Daily Post ‘Best Fringe Show of 2011’ | The Fringe Review ‘Outstanding Theatre Award’ 2011 | The Observer ‘Iron Man’ Award for Kim Heron | Brave New World Award & Audience Award at the Sarajevo MESS Theatre Festival, Bosnia & Herzegovina 2011 | 1st Prize BE Festival Development Award 2010 | Best Theatre Direction Award at ACT Festival Bilbao, Spain 2011

Award Nominations

The Stage Award for ‘Best Ensemble’ 2011 | Total Theatre Award for Visual/Physical Devised Theatre | Brighton Fringe ‘Best of Edinburgh Award’

Reviews

The Times * * * *: “An admirable, infinitely gentle and wordless story of loss and remembrance” -Donald Hutera.

The Stage ‘MUST-SEE!’ Show: “I really cannot recommend this highly enough – it is not just one of the best shows I have seen at this year’s fringe, but any fringe.” -Alistair Smith.

“This is a show that will steal your heart.” ★★★★★ Scotsman

“Uniquely devastating” Observer

5 Star Reviews: The Scotsman | What’s On Stage.com | Fest Magazine | British Theatre Guide | Fringe Review | Edinburgh Guide.com | Fringe Guru

4 Star Reviews: The Times | The List | Exeunt Magazine | Edinburgh Festivals Magazine | Three Weeks

Tickets £12, £10

The Angels of Fore Street

Pipeline Theatre

On holiday in Cornwall they crashed the car and lost the dog, but had the best Christmas ever. A heartwarming community show made with and by people from Camborne and Redruth.

Tickets £6, £3, £15 family

Book Online at crbo

Frankie Vah

Luke Wright

Following the multi-award-winning What I Learned From Johnny Bevan, Luke Wright’s new verse play deals with love, loss, and belief, against a backdrop of 80s politics and music. Simon, a vicar’s son from Essex, has become Frankie Vah and replaced religion with radical politics and ranting poetry. He and his beloved girlfriend Eve live in love and penury, but when Frankie goes on tour with indie darlings The Midnight Shift, his new world is put to the test.

‘Pulsating, poetic storytelling’ The Guardian

Tickets £10, £8

Monster

Worklight Theatre

Everyone has felt the prickle of anger, so why do some men lash out while others stay in control? In an amazingly fast moving performance, Joe Sellman-Leava channels his own irritation at his chirpy,cheery girlfriend, MikeTyson‘s tirades, Patrick Stewart fearfully recollecting the domestic violence that scarred his childhood and passages of Shakespeare, brimming with spite and anger. A thrilling new performance about violence and masculinity, from internationally acclaimed Worklight Theatre.

Tickets £10, £8

We Are Brontë

Publick Transport

We Are Brontë is a piece of hilarious visual theatre inspired by the real and imaginary worlds of Yorkshire’s literary siblings, presented in Publick Transport’s irreverent style. Physical theatre collides with stand-up, clowning and improvisationas two performers deconstruct Gothic themes of love, madness, repression and revenge. Part play, part enquiry into the act of putting on a play, this is no ordinary Brontë adaptation.

In association with Carn to Cove

Tickets £9, £7, Family £25

Finding Joy

Vamos Theatre

Danny, a teenage dabbler in petty crime, starts to care for Joy, whose nocturnal wanderings and forgetfulness worry her family. The show brilliantly conveys her fear on finding herself alone, in her nightie, in a busy street. It also conjures up her past, in particular during the Blitz. It’s an unconventional companionship between Joy and Danny, who find love and laughter against the odds.

“Finding Joy” is an intensely emotional and enjoyable show.

Tickets £12, £10, Family £34 (children 12+)

In association with Carn to Cove

The Conductor

Shostakovich, writing his life affirming 7th Symphony, flees the Leningrad siege leaving his less talented student contemporary Karl to attempt to survive starvation and loss and miraculously conduct and broadcast the symphony among the ruins. A concert-play based on the novel by Sarah Quigley.

Tickets £10, £8

Police Cops

The Pretend Men

We are thrilled that the Pretend men have recovered from the car accident that caused the postponement of this great show in February.
The Pretend Men’s critically acclaimed, multi award-winning comedy blockbuster Police Cops is an action-packed hour of adrenaline-fuelled physical comedy, cinematic style and uncompromising facial hair.

Tickets £10, £8

[book id="397466"]

Odyssey

Theatre Ad Infinitum

One actor. One hour. One man’s epic quest to reunite with his family and seek his bloody revenge. Odyssey follows the Greek warrior Odysseus in his relentless attempt to get home so he can see his wife and son again before he dies. Passionate, highly physical and poignant storytelling brings this breathtaking adventure to life. A journey that will ignite the imagination and awaken the senses.

“The Best of the Fringe .”..... Observer
“Theatre Ad Infinitum have moved to the front of the pack.”.....The Guardian.
“This tour de force of physical theatre is unmissable... a stunning piece of physicalised storytelling.”.....The Stage

Tickets £10

Medical Maelstrom

The return of the fabulous Medical Maelstrom with their hilarious evening of musical comedy. A unique act that will leave you with a smile on your face and aching with laughter.

In aid of the Cornwall Samaritans

Tickets £17.50 to include substantial nibbles

Bucket List

Theatre Ad Infinitum

After their fantastic shows Translunar Paradise and Ballad of the Burning Star, we are delighted to welcome back Theatre Ad Infinitum with Bucket List, winner of Edinburgh Spirit of the Fringe Award 2016. When her mother is murdered for protesting corporate and governmental corruption, Milagros finds herself with only a bloodstained list of those responsible. Determined to make them pay, she embarks on a passionate quest for justice, no matter the cost.

A story about love, loss and revenge, told with physical storytelling, live instrumental music and song.

Tickets £12

In association with Carn to Cove

Infinity Pool

Nominated for a Total Theatre Award, Infinity Pool is the latest play from the local writer of And Then Come The Nightjars,  Bea Roberts

STOP PRESS: This show is in the Top 5 "Editors Theatre Picks" in the Saturday Guardian of 25th February

Emails unopened, cup-a-soup undrunk, a secret in the stock room; Emma Barnicott’s life is leaking as she pines for a world beyond her trading estate office.When she meets a man online who wants to talk to her about more than boilers and two port valves Emma must decide if the chance of a joyous love is worth trading for an imperfect life - or will there always be dead woodlice in the infinity pool? An outstanding performance by Bea Roberts, author of And Then come the Nightjars.

“Utterly unique and exceptional in every way, it’s a heart-breaking story of a stunted life, told with theatrical verve and palpable compassion”
★★★★★ The Stage

“Rare and extraordinary: exceptional storytelling that is full of theatrical spirit.”
★★★★★ The List

“Completely different and deliciously quirky… this original show proved painfully funny and oddly moving.”
★★★★ The Guardian

“Roberts is an intensely funny writer…a writer to watch”
★★★★ The Telegraph

“What at first seems to be a rather small, modest play turns out to be not only a tender, finely observed portrait of male friendship, but also a stirring requiem for the vanishing dignity of rural England.”
★★★★ The Evening Standard

Tickets £10, £8

Police Cops

We've just heard that 'THE PRETEND MEN' have been involved in a serious traffic accident in London.   Several of the company have sustained injuries and as a result they have had to CANCEL Saturday's performance of Police Cops at The Tolmen Centre.

Obviously Cafe Tolmen will also not be operating as there is no show.

If you have purchased tickets Online, you will receive a full refund from the Booking Agency

We will try to contact all the others who have reserved tickets by phone (unfortunately there are many of them) to let them know.

The Company are enormously sorry about this, they were looking forward to bringing the show to Cornwall, and we are planning to re-schedule the show for a date to be fixed in the summer.

We extend our sympathies to all The Pretend Men, wish them speedy recovery.

We are tremendously sorry for the inconvenience caused, but the circumstances are completely beyond our control.

A View from the Edge

'Owdyado Theatre

Following rehearsals at the Tolmen Centre we present a Preview showing of this exciting new production to launch the nationwide tour.

With sharp wit, quick pace and a heavy dose of noir style, the story is told of private eye Charlie Daniels, hired by seductive Elise Hillerman to find her missing husband. Meanwhile writers Charlotte and Daniel struggle to write a script for their new show. A mindbending journey through the world of dreams, imagination and ‘real life’.

Tickets £8

Pipeline Theatre: Spillikin

Sally has been diagnosed with Alzheimer’s. Her husband, Raymond, is dying. But Raymond is thinking ahead. Already an obsessive archivist, he is also a leading Robotics specialist.Their long marriage has had its ups and downs, but now he can make a better version of himself, to look after Sally after he’s gone. Will she accept it?

Another chance to see Jon Welch’s marvellous play Spillikin, newly recast, as it previews before a major tour.

Tickets £8

pipelinetheatre.com

And Then Come the Nightjars

Theatre 503 and Bristol Old Vic

“You hardly ever see ʻem, only hear them.They fly silent. Itʼs bad luck is Nightjars...”

South Devon, 2001. Local dairy vet Jeff and curmudgeonly farmer Michael are old friends, united by their love of the Devonshire countryside and Jeff’s prize collection of cows. But when the Foot and Mouth pandemic strikes the countryside their friendship – and the resilience of the whole community - is tested to its limits. Bea Roberts’ award-winning play is a touching story of male friendship and a requiem for rural England.

Tickets £10, £8

theatre503.com

Paradise Lost (lies unopened beside me)

Lost Dog

The story of the beginning of everything inspired by Milton’s Paradise Lost – told through words and music.

A show for anyone who has ever created anything (a child, a garden, a paper aeroplane) then had to watch that wonderful thing spiral out of control.

"an enchanting, very funny show, swooping from the epic to the vulnerable." The Independent

Tickets £10, £8

lostdogdance.co.uk

What I Learned from Johnny Bevan

Luke Wright

We have a particularly strong offer of theatre in this autumn’s programme,  amongst our best ever.   The sequence starts with this astonishingly powerful solo poetical show by Luke Wright.

We booked it on a strong recommendation from two of our most loyal theatre customers who saw it performed at the (sold out) Soho Theatre in London and were blown away by it.   Then we heard an epic extract (‘To London then…’) which was broadcast on Radio 4 in the spring and this confirmed that this show was something special.

In our view it’s worth the ticket price just to hear that single blistering poetical commentary on banking and capitalism in London. But the whole show has received plaudits wherever it has been seen - we are hearing of a whole audience at Port Eliot rising to acclaim Luke’s performance there in July - and many more besides, from audience members and critics alike.

This show promises to maintain the Tolmen tradition of top class, cutting edge theatre and we totally recommend it (though with its fierce message and uncompromising delivery it’s by no means a show for children).

Anyone who has an interest in theatre, poetry, writing, storytelling – or who remembers their adolescence – should grab  the chance to see this show.

Tickets £10, £8

lukewright.co.uk

We can think of no better way of illustrating why this  show is not to be missed  than by simply reproducing a long list of plaudits and critical responses, which show the powerful effect this poetical tour-de-force has produced.  These are copied below, and worth a read.

WINNER Fringe First Award for new writing
WINNER The Stage Award for acting excellence
WINNER Best Spoken Word Show Saboteur Awards 2016
WINNER Best Show Laugharne Weekend 2016
WINNER Dark Chat Awards for Best Entertainment 2015
NOMINATED Off West End TBC Award
Sold Out run at The Soho Theatre, Spring 2016

“Pulsating piece of poetic storytelling” ★★★★ Lyn Gardner, Guardian

“Blistering … a story of our times … a strikingly assured performance of a compelling piece of writing.” ★★★★ Scotsman

“This is such a rich piece of writing… resonant and timely.” ★★★★★ Exeunt

Reviews from London run/ tour Spring 2016:

‘Luke Wright’s What I Learned from Johnny Bevan is terrific’ Lyn Gardner, Guardian

‘Luke Wright gave a capacity audience at Norwich Arts Centre a show of unmatched passion, power and poignancy in the outstanding performance of the 2016 N&N Festival. ‘What I Learned From Johnny Bevan’ is fast paced, articulate, heartwarming and perfect in execution.’ Norwich Spy

‘He used poetry that spat, and a face that seemed to age with the despair of the characters in his story.’★★★★★ Brighton Argus

‘Wright has a proper power over the English language, a storyteller worth listening to, and I look forward to hearing more’ Tim Auld (for Daily Telegraph)

‘an impassioned, spellbinding performance infused with humour, humanity and wit’ ★★★★ The Reviews Hub

‘a brilliant show, with a charming performance from Wright’ A Younger Theatre

‘Really does convey the power of performance poetry, and focused political satire‘ Write Out Loud

‘Wright performs with relentless vigour, his poetry pops and fizzes. a singularly powerful piece’ ★★★★ Everything Theatre

‘An astonishing, thought-provoking and original tour-de-force’ ★★★★★ London Theatre

‘poet Luke Wright is a singular tour de force: (his) language is precise and evocative and What I Learned From Johnny Bevan is politically charged and practically flawless’ The Play’s The Thing

‘A rollercoaster ride of political poetry & sensational storytelling. Is he the new Berkoff?’ Terri Paddock (founder, What’s On Stage)

‘dramatic, humorous, and political’ This Week In London

‘something rather special, Luke Wright’s performance (10/10) was stunning’ ★★★★★Virtual Festivals (from Kendal gig)

Reviews from Edinburgh Fringe 2015:

“Pulsating, neatly handled piece of poetic storytelling … the breakneck storytelling is clear and gives Wright’s seething, dynamic poetry the room it needs to motor.” ★★★★ Lyn Gardner, GUARDIAN

“a strikingly assured performance of a compelling piece of writing.” ★★★★ SCOTSMAN

“This is such a rich piece of writing. There’s so much in it. It’s resonant and timely and it tells a story compellingly. And the story tells is kind of flooring, raw … It says so much about idealism and youth and maturity and compromise – and love – and the places life can take you, the incremental sneaky way that years have, of passing.” ★★★★★ EXEUNT

Performed in verse that bounds and soars effortlessly … Taking in issues of class, privilege and the death of Labour, What I Learned from Johnny Bevan is a compelling and relatable exploration of growing up and facing hard truths.” ★★★★★ THE SKINNY

“Luke is like a male Kate Tempest, but perhaps more sharply incisive and piercing. The venue is far too small. Get this guy a gig at Usher Hall!” ★★★★★ SCOTSGAY

“A densely-packed and deftly-woven banner for young Britain’s political reawakening, What I Learned from Johnny Bevan is what I come to the Fringe for: writing that not only captures you in the theatre but also stays with you for days afterwards.” ★★★★★ BROADWAY BABY

“Wright’s full-throated reverie is spellbinding” ★★★★ DAILY RECORD

“Anyone familiar with Wright’s work will recognise his deft hand in showing the complexities of male relationships …  a political and personal coming-of-age narrative that, while rarely breaking out of a set rhythm and rhyme scheme, still manages to evoke the chaotic passion of awakening.” ★★★★ TIMEOUT Critic’s Choice

“An impassioned, elegant performance, full of humour, sadness and political fury.” ★★★★ LIST

“I see a show like this that makes me think theatre can’t get any better, so why should I bother going to see anything else? … This is a simple story that is powerfully written and mesmerisingly performed – I cannot recommend it highly enough.” ★★★★★ EDINBURGH 49

“Powerful, poetic coming-of-age story that focuses on the relationship between politics and class. Wright’s stirring eloquence and resonant delivery heighten the drama and clarify the emotional impact.” ★★★★ THE STAGE

What I Learned From Johnny Bevan is a fantastic debut from a rare poetic talent. At times it feels like a Ken Loach film put to verse. It is a strong and personal story told by an original and absorbing performer.” ★★★★ TV BOMB

“This is a completely engaging performance which is delivered with an energy both raw and crisp. Wright really commands the space … The tension and experience created by this one man is admirable.” ★★★★★ TODOLIST

“Sometimes funny and sometimes heartbreaking, What I Learned From Johnny Bevan is beautifully plotted and completely engaging, reminding us that politics affects everything.” ★★★★ A YOUNGER THEATRE

“Sure to spark at least one mid-life crisis.” ★★★★ THREEWEEKS

“An oratory masterpiece & a time-capsule” ★★★★ THE MUMBLE

“A story of shattered friendship, class ceilings, and the hollow reality of the New Labour dream.

At university the whip-smart, mercurial Johnny Bevan saves Nick, smashing his comfortable, middle class bubble and firing him up about politics, music and literature. Twenty years later, as their youthful dreams disintegrate with the social justice they hoped for, can Nick save Johnny from himself?

Written & performed by Luke Wright
Directed by Joe Murphy
Produced by Paul Jellis
Music by Ian Catskilkin
Illustrations by Sam Ratcliffe
Lighting by Tom Clutterbuck
Co-commissioned by Norwich Arts Centre and Writers’ Centre Norwich.

Here I Belong

Pentabus Theatre

Elsie has lived in the same village all her life.This funny and moving new play shows key moments in Elsie’s life and the life of the village. A sensitive, charming and honest portrayal about changing village life and the right to grow old in your own home.

Tickets £10, £8

In association with Carn to Cove

pentabus.co.uk/

Swivelhead

Pipeline Theatre Company Previews

An RAF drone pilot visits his rural childhood home for his sister’s wedding. Holed up in an old tree-house and beset by visions of the carnage that he has caused, he becomes aware of something impossible – his body discarding its human form...

‘Swivelhead’ viscerally explores the ethical and personal consequences of a new age of warfare.

Tickets £8, £7 (age 16+)

pipelinetheatre.com

Trevithick starring Kernow King

“Sometimes I imagine myself to be my statue down Camborne, gazing out over those roundabouts.... watching the cars, lorries and motorbikes bombing along.

The ingenuity in all that machinery going on... .. the pistons, the pumps, the fumes, the exhausts, the fuel.... it’s all so easy now.”

Kernow King tells the story of one of Cornwall’s greatest sons Richard Trevithick.

Tickets £10, £8, Children £6

kernowking.co.uk

Book your tickets

The Gods are Fallen and All Safety Gone

Greyscale Theatre Company

An investigation into what happens when we discover that our parents are awed human beings, and that at some point they are suddenly going to disappear from our lives. This was one of the most intriguing and fascinating plays we saw at Edinburgh this year, beautifully performed.

“It’s a very pure form of theatre- intimate, pared down and emotionally true.” The Stage

Tickets £10, £9

greyscale.org.uk

How long will I love you

A new amateur production written by local poet Kerry Vincent and performed by an enthusiastic all-village group of players. Described as 'a sort of nativity play for adults'.

Tickets £5 available from Kerry on 01326 340297, village shops, or from the Tolmen Centre Box Office.

All proceeds will be donated to the Village Defibrillator Fund.

ZONK FM

Is anybody there?

Zonk FM is a poignant new comedy featuring well-known Miracle performers Sally Crooks, Keri Jessiman, Steve Jacobs and making his Miracle debut, Jake Tindle

This roller coaster of a show explores other people’s reality with fast paced physical humour, tenderness and disco lights!

Recommend for 12 years +

£12 - £10 (over 65 & under 26) & £8 (under 16)

miracletheatre.co.uk

ABOUT THE WRITER, ANGUS BROWN: Angus has performed in several Miracle productions including the title roles Hamlet & Quasimodo and most recently Vladimir in Waiting for Godot.

ZONK FM is his first play.

ABOUT THE DIRECTOR, TOM ADAMS: Tom first worked with Miracle in 2002 as a dresser on Twelfth Night. He then went on to perform in five productions including The Case of The Frightened Lady and he was the musical director and composer for both Frankenstein! and The Magnificent Three.

ZONK FM is his directing debut.

Martin Bell

“The man in the white suit” and “accidental MP”, Martin Bell, will be giving a fascinating insight into his career as a distinguished war reporter for the BBC, covering hotspots around the world including Vietnam, Lebanon, Northern Ireland and more recently the Balkans. He resigned from the BBC to stand as an independent MP from 1997 to 2001.

6.30 for 7.30
Buffet Supper now Sold Out

Tickets for the talk are still available for £12 from the Tolmen Centre Box Office

Proceeds in aid of SSAFA - The Armed Forces’ Charity.

Martin Bell on Wikipedia

Transports

In the late seventies a sociopathic sixteen year old finds herself shunted into her final foster home. Her widowed foster mother has a hint of a foreign accent and a box full of secrets. As youth plays cat and mouse with age, two parallel sets of revelations collide with devastating consequences.

A preview performance of Jon Welch’s rivetting play as it kicks off a nationwide tour.

Tickets £8, £7

Worklight Theatre: Labels

‘When I was five years old, my Dad was told our surname might be stopping him from getting a job. So we changed it. It worked.’ This intimate new show draws on experiences of mixed heritage and racism. Amid the cacophony of statistics and soundbites that surround the immigration debate, Labels offers an honest, human story about multicultural Britain.

“Powerful, important and funny”
Emma Thompson

“Terrific and really thoughtful”
Lyn Gardner

Worklight Theatre’s award winning show Labels draws on writer and performer Joe Sellman-Leava’s experiences of mixed heritage to explore the broader issues of racism, immigration and displacement. During Edinburgh Festival Fringe 2015, it won a Scotsman Fringe First Award for outstanding new writing and the Holden Street Theatre Award (enabling a transfer to Adelaide in 2016). It was also shortlisted for the Amnesty International’s Freedom of Expression Award.

Labels was inspired by a racism and equality workshop, led by Oscar-winning writer, actor and activist Emma Thompson, at Exeter University, 2009. The rise of far right parties both in Britain and across Europe compelled Joe to re-develop Labels for Edinburgh Fringe Festival 2015. It premiered in the wake of an ongoing humanitarian crisis in Europe, and fierce debates around migration and refugees.  Emma Thompson, who has spoken out against the UK’s response to the current crisis, commented on a new draft of the script earlier this year: "What a terrific piece. I love it. Simple, powerful, important and funny."

Joe uses his family’s stories about migration and mixed heritage to open a wider discussion about the way we talk about, think about and treat our fellow human beings. The play’s examination of Europe’s ongoing refugee crisis has sadly become more resonant in recent months. Worklight hope that by touring the show in Australia and the UK over the coming months, more people will be engaged in conversation about how the words we use affect the decisions we make about one another.

Cast and Creators:
Writer and performer: Joe Sellman-Leava
Director and dramaturg: Katharina Reinthaller
Producers: Michael Woodman and Joe Sellman-Leava
Costume & stage design: Charlotte Anderson
Lighting and sound design: Phil Hewitt
Photography: Benjamin Borley and Anna Bruce

worklighttheatre.co.uk

Tickets £10/£8

The Candidate

Tolmen Theatre Company

Jon Welch's new play for our own Tolmen Theatre Company.The arrival of a foreign family and a contentious by-election throws a small community into confusion. 'Leave your political sensibilities at the door but bring your laughing trousers.'

Dick Tracy

Le Navet Bete

Newsflash! There’s been a series of high profile crimes right across the city- but fear not...the police chief’s put his best man on the job - Dick Tracy.

Rooted in the ridiculous, Dick Tracy is a physical comedy incorporating fooling, original live music, plenty of audience interaction, lightning quick character changes and incredibly authentic accents, spattered with myster y, malice and mischief.

Tickets £10, £8, Children £5, Family £24

Taste

Cscape Dance Company

Inspired by the tapestries of Grayson Perry. Taste takes an often hilarious journey through identity, fashion, gardens, household nick nacks, wine tasting, holidays, instant coffee vs the cafetiere, Thatcher, Kate Middleton and the welfare state. A dance show with a difference that’s as refreshing as a nice cup of tea!

Tickets £8, £6

 

Tea Ladies on Tour

A second major earthquake has struck Nepal. Our teams on the ground are establishing the impact on already damaged buildings. It's a terrifying time for the hundreds of thousands of children and families who lost everything in the 25 April quake. Many are injured, homeless and struggling to find basics like clean water: they desperately need your support. -savethechildren.org.uk

Spillikin

Pipeline Theatre

Sally has been diagnosed with Alzheimer’s. Her husband, Raymond, is dying. But Raymond is thinking ahead. Already an obsessive archivist, he is also a leading Robotics specialist. Their long marriage has had its ups and downs, but now he can make a better version of himself, to look after Sally after he’s gone.Will she accept it?

A chance to preview Pipeline’s much anticipated new work.

Every Brilliant Thing

Pentabus Theatre

This remarkable feelgood play written by Duncan Macmillan, presented 'in the round' by the brilliant comedic actor Jonny Donahoe,  swept everything aside at Edinburgh 2014 and has followed that with runs in London,  just recently sixteen (yes sixteen!)   weeks   Off Broadway in New York, and last month  success at the Brighton Festival.  It has been tremendously well received by audiences and critics alike.

We booked it at once having seen it last summer, and we are delighted to have the only performance in  Cornwall on this UK nationwide  tour.

It's a play that cannot fail to move you to tears but  then have you burst out laughing.   As Lyn Gardner described it "one of the funniest plays you'll ever see about depression .. and possibly one of the funniest plays you'll ever see full stop."   It redefines the word life-affirming.

On the surface, it’s the  simple telling of a story of how a young boy deals with his mother’s depression, trying to help by writing a list of all the ‘brilliant things’ he can think of to cheer her up.  But the story develops – involving and absorbing the audience – into the boy’s life story:  by the time he has grown into manhood, he discovers that the continuously evolving list has become his own personal blueprint for a healthy life.

Donahoe is a warm and personable performer — so warm and personable, he doesn’t even seem to be performing as much as taking the audience into his confidence.

Not only is his emotionally damaged character willing to share his precepts for a happy life with his audience,  the audience become collaborators  in his story.

This is a play you should not miss, literally 'one of a kind'

Tickets £10, £8, Children £5

64 Squares

Rhum and Clay Theatre Company

>On board a decadent cruise liner in 1939, the world’s greatest chess champion is challenged to a match by a mysterious newcomer called... B. As B begins to play, it becomes clear that the game is not the only thing he’s at risk of losing. Because B is not just one person, but four. And they each have their own version of the story they want to tell.

Based on a story by stefan Zweig, with a live jazz percussive score and their signature blend of ramshackle and cinematic performance, Rhum and Clay Theatre Company tell
a story of madness, identity and finding a home in 64 black and white squares.

Tickets £10, £8 Children £5

Don Quixote

Little Soldier Theatre Company

Inspired by Don Quixote’s wanderings, two feisty señoritas and a downtrodden Englishman embark on a journey through Spain. Accompanied only by an otherworldly virtuoso guitarist whose presence there makes no sense whatsoever, they will lead you to joy, pain and ultimate wisdom.

Little Soldier presents a hilariously inventive adventure of immense proportions, to be taken with a pinch of salt and a handlebar moustache.

Tickets £10, £8, Children £5

Crazy Glue

Single Shoe Theatre Company
in association with Carn to Cove

They have a car in the garage, a chicken in the pot and a child on the way. But is that enough to make true love stick? Crazy Glue follows the comedic roller coaster of a couple’s romance as they move from the blossoming of first love through to the thornier terrainof married life.

The captivating cast of two blend vocal sound effects, quirky humour and an evocative 1930’s soundtrack to reveal the crazy, sticky, messy side of marriage. A show guaranteed to enchant all ages.

Fringe Review  *****

 "Just like Charlie Chaplin all over again. Fantastic" said one of my fellow audience members at the end of this show. Crazy Glue has echoes of a silent film; all the elements of the story are there for you to see. Happy people smile, surprise is shown with big wide eyes, sexual desire with a lolling tongue and a goofy grin. Charlie Chaplin isn’t quite the right reference though – too saccharine - the physical dexterity, split second timing and slapstick violence are more reminiscent of Buster Keaton or the Keystone Cops.

Performers Filipa Tomas and Bradley Wayne Smith working as Single Shoe Productions devised Crazy Glue from Etgar Keret’s short story of the same name. They have used clowning, mime and dance to lift the story from the page and in doing so have succeeded in creating a theatrical experience accessible to a universal audience, irrespective of their nationality. The theme is as old as the hills so easy to follow whatever your background and language.

The duo are very talented and deliver two highly polished performances as a cocktail bar waitress (Tomas) who catches the eye of one of her customers (Smith). After a whirlwind romance they settle down to a life of knitting, the sports pages, longed-for parenthood and apple pie. Just as the sugary sweetness of the piece begins to irritate the tone abruptly changes and what then emerges is a character driven tale of how to people who are crazy in love (and hate) cope, and don't cope, with the crap hand life deals them.

Assembly Roxy downstairs studio is a perfect space for the piece as an audience on raked seating view a box like stage which serves well as a movie screen. Singe Shoe have kept it simple so that three orange cubes act as table and chairs and the rest of the tiny apartment is imagined. Dressed like cartoon figures (Tomas with a homage to Olive Oyl) the actors start out (deliberately) as cardboard cut-out star struck lovers but like Romeo and Juliet get much more interesting and rounded as tragedy strikes.

Tickets £10, £8, Children £5

After the Accident

cube theatre

A child’s life is snuffed out by a joy-rider.
Four years on, the parents and the joy-rider meet.
A powerful award-winning drama, After the Accident combines highly-charged storytelling with thought-provoking themes in exploring the workings of Restorative Justice; a process which tries to repair the damage done by crime. Highly current, the drama unpicks the web of emotional devastation that the families face with clarity and force. Despite its challenging subject matter the play draws you in quickly, and through its wonderfully pared down script and recognisable characters, uncovers layer after layer with courage and compassion

Tickets £8, £6 13+

Near Gone

Two Destination Language

Two performers have a difficult story to tell.They come on stage and launch themselves into an hour long attempt to put into words the utterly unspeakable. Delivered in English and Bulgarian, with pounding gypsy-inspired music, this beautiful performance fills an empty space with two performers, hundreds of fresh flowers and a storm of emotion.

Near Gone won a 2014 Total Theatre Award at the Edinburgh Festival for Innovation, Experimentation and Playing With Form, and received numerous four and five star reviews.  The company are Artists in Residence at Salisbury Playhouse.

We saw this show in Edinburgh last summer and were entranced by it.   The combination of two completely watchable actors, two languages, a mesmerising telling of the story  (which several times explodes into a frenetic dance), the littering of the stage with hundreds of flowers, the whole show  grips you completely.  The images and effect remain with you long after the performance ends.  Apparently simple, but full of complexity, this is a piece of theatre which deserves its accolades.  Don't miss this single performance in Cornwall on a nationwide tour.

“This is a difficult story to tell, performer Katherina Radeva warns us in Bulgarian through her translator and fellow performer, Alister Lownie, at the start of Near Gone.  She is not wrong.   Intimately exploring the themes of grief, loss and potential loss, the subject matter of Near Gone is not easy to talk about. However, Radeva and Lownie’s emotional story is told with great beauty, sensitivity and humour, creating art that is truly affecting, memorable and life-affirming".

and Lyn Gardner said in The Guardian 'Essential Theatre Picks'

"a winning heartfelt intensity.... a boon to the flower trade and to audiences too with its passionate, dance-filled look at the gulfs we cannot bridge".

Alister and Katherina will host a short post-show discussion of some of the questions raised by the show.

Tickets £10, £8 Children £5

Miracle Theatre: Dr Livingstone I Presume

Both a hurrah to courage and endurance and a swipe at the great 19th century ideals, Miracle serves up this curious slice of history in its own inimitable style – and with a huge nod to Victorian Music Hall.

Mixing caustic comedy, seedy songs and second-rate dubious magic, dodgy ventriloquism and spectacle and breath-taking burlesque, the show will genuinely appeal to adults and children 7+.

Tickets £12, £10, Children under 16: £8, Family Group: £35

Medical Maelstrom

...a tincture of song and laughter dispensed by three Cornish doctors

“The beautiful voice of Michele Sharkey combined with the hilarious antics of Sam Freegard, all held together by the perfect accompaniment of Anthony Seddon made it an evening to remember”...

“Entertainment at its very best’’...     “I really don’t remember laughing so much before”

...“A concert worthy of the West End stage”     “...the supremely talented members of Medical Maelstrom”

Michele Sharkey was born in Lanarkshire and began vocal training after completing her medical studies at the University of Glasgow. Her main interest is opera, and major roles range from the consumptive Mimi (La Bohème) to the dagger wielding Queen of the Night (Magic Flute) with Angelica (Suor Angelica), Zerlina (Don Giovanni), Frasquita (Carmen), Olympia (Tales of Hoffman), Anna (Merry Widow), Gretel (Hansel and Gretel) and Adele (Die Fledermaus) in between. Her favourite gigs, however, are with Maelstrom.

Sam Freegard’s enjoyment of being silly on stage developed whilst studying medicine at St Bartholomew’s Hospital, London. After moving to Cornwall in 1982, for many years he acted with the West Cornwall Theatre Group at the Minack theatre, including the title role in Macbeth, Leontes in The Winter’s Tale and Randle P McMurphy in One Flew Over the Cuckoo’s Nest. Sam sincerely hopes that his appearance with Michele and Anthony does not spoil what might otherwise have been an evening of high class entertainment…..

Anthony Seddon was a boy chorister at King’s College Cambridge, then a music scholar at Clifton College Bristol and then a choral scholar at Magdalen College Oxford where he studied medicine. In the Swinging Sixties (!) he was a member of a close harmony pop group which made several records and TV appearances. He came to Cornwall in 1973 and for several years he sang in Truro Cathedral choir. He was musical director for Duchy Opera’s productions of Café Puccini and La Cenerentola and he has performed extensively as an accompanist.

DON’T MISS THIS CHANCE TO SEE THIS UNIQUE ACT THAT WILL LEAVE YOU WITH A SMILE ON YOUR FACE AND ACHING WITH LAUGHTER. THE ARTISTS ARE GIVING THEIR SERVICES FREE OF CHARGE TO MAKE THIS A VERY SPECIAL FUND-RAISING CONCERT FOR THE TOLMEN CENTRE. WE EXPECT A SELL-OUT SO BOOK WELL AHEAD. A GREAT START TO THE FESTIVE SEASON!

Tickets £10 

Pipeline Theatre: Streaming

Falling from a world of virtual wealth, Rosa (15) and her father land in a cheap flat with a reclusive new neighbour - a webcam girl. Blending unforgettable characters, moments of macabre puppetry and a translucent set, Streaming is a funny, moving and and disturbing rites-of-passage story for the modern age.

Tickets £8, £6 Children Age Guide16+ 

Workshop with Lady Maisery

Suitable for singers of all ages and abilities, and will offer the chance to sing in harmony and to learn about the mysterious art of ‘diddling’.

Tickets £10 (£5 for children): Advanced booking is advised.

Pendulums Bargain Emporium

Maison Foo 
Inspired by ‘The Elves and the Shoemaker’ a desperate tale of slavery and greed told with humour, intimacy and charm using Maison Foo’s inventive visual blend of storytelling, live music, clowning and puppetry.

“Touching and beautifully crafted...deceptively sophisticated and layered work – a little show with a big heart.‘
Lyn Gardner, The Guardian

Tickets £12, £10, £6 Children under 16

Seven Deadly Sins 

Tom Jackson Greaves with Polly Motley

Adam and Eve are in a relationship pickle! As they dance through the sins of their past they reach an ultimate choice. But are they brave enough to make it? Seven Deadly Sins is a vibrant dance comedy full of laughs, apples and exhilarating movement. Choreographed by young Cornish artistTom Jackson Greaves, a winner of the New Adventures Choreographer Award.

Sexy slick and beautifully expressive’ The Stage

Tickets £8, £7, Children £6 

A Little Nonsense

Juncture Theatre

An original comedy that explores the clown inside the man and the mirth hidden in the melancholy.

Through mime, slapstick, poetry and farce, A Little Nonsense is a bare-knuckle look at the sharp edge of funny.

The play mixes laugh-out-loud hilarity with a subtle exploration of the edgy relationship between the clown and his straightman.

Tickets £10, £9 Children £5

The Case of the Frightened Lady

Written & directed by Bill Scott with music by Jim Carey

Why is the lady so frightened? Who dropped the red scarf?

As part of its special 35th anniversary program Miracle revisits one of its most popular productions to date, complete with original cast.

It’s 1932 and Edgar Wallace, the Fleet Street editor widely known for his hugely popular and successful whodunits, gets a desperate call from his publisher. With only a weekend to produce a new novel, the indefatigable Wallace leaps into action.

The Case of the Frightened Lady is a hilarious account of the antics of the Wallace household as they flit dizzyingly between reality and fiction, inventing storylines, devising dialogue and arguing over the final denouement.

The result is pure Miracle, a hugely enjoyable mix of plot, character, farce and irony plus some unforgettable songs.

A highly inventive piece of theatre suitable for a family audience of all ages!

‘Bill Scott's melodramatic, helter-skelter, DIY whodunit is a dizzying tangle of red herrings and black humour.’   - Irish Times

‘There is a great sense of fun, pace and a wonderful connection with the audience.’ –  The Stage

‘Lampooning everything from the cod-thriller to amateur dramatics, The Case of the Frightened Lady is not only hilarious, but is a gripping piece of drama which deserves to be the hit of this summer.’ - Western Morning News

‘Comic theatre of the highest order…littered with razorwire one-liners that literally will have you rolling in the aisles and wiping the tears away.’ -  Brazen City 

Audience feedback

‘I thought that your production might be good or interesting, and I wanted to support local theatre. Instead, what I saw would have graced the stage of any West End theatre.... utterly superb!’

‘We haven't enjoyed ourselves so much at the theatre in a long while. The dialogue was sharp to the point of being dangerous.’

‘A BRILLIANT production! Very clever staging and production and exceptionally funny   performances by all the cast.’

‘Our faces were 'aching' from laughing and smiling so much.  I haven't enjoyed a performance like yours for many, many years’.

More About the show

It’s 1932 and Edgar Wallace, the Fleet Street editor widely known for his hugely popular thrillers, gets a desperate call from his publisher. With only a weekend to produce a new novel, the indefatigable Wallace leaps into action, enlisting the help of his over-looked wife, pretentious butler, eager gardener and admiring new secretary.

At first this collaboration shows little promise and the story keeps veering off in unlikely directions but, with Wallace at the helm, they get into their stride, flitting dizzyingly between reality and fiction, inventing storylines, devising dialogue and arguing over the final denouement. The result is a typical pot-boiling, page-turning who-dunnit (in this case peppered with Cole Porteresque songs, improvised by the staff on the author’s drawing-room piano).

Faithful to the genre, the Wallace household construct a plot littered with dodgy criminals, false clues and strangers with mysterious pasts. Detective Inspector Tanner’s legendary powers of observation never failed him and, as the corpses pile up, he stays one step ahead of the bungling rural police and prevents the course of justice being perverted by a household of secretive toffs.

Just how far beneath the surface lies the grisly truth? Why is the Lady so frightened? As the curtain falls not only has the culprit been revealed but so has the true state of Edgar’s marriage. 

‘Bill Scott's melodramatic, helter-skelter, DIY whodunit…is a heaven-sent vehicle for this distinctive brand of precise, choreographed physical theatre. Outrageous flights of theatrical and narrative fancy… a dizzying tangle of red herrings and black humour.’   - The Irish Times

‘Comic theatre of the highest order…littered with razorwire one-liners that literally will have you rolling in the aisles and wiping the tears away.’ -  Brazen City

‘Lampooning everything from the cod-thriller to amateur dramatics, The Case of the Frightened Lady is not only hilarious, but is a gripping piece of drama which deserves to be the hit of this summer.’ - Western Morning News

This five-hander, written by Bill Scott with music by Jim Carey, originally toured small scale venues (indoors and outdoors) across the South West in 05/06. The show has huge potential to delight audiences of all ages, in any scale of venue. It won the Minack Trophy in 2006 and was subsequently produced for a tour of Ireland (North and South) by Bruiser Theatre.

Ticket prices: £12 full £10 concession and £8 under 16’s

Major Tom

Victoria Melody and Farnham Maltings present: Major Tom

The true story of how Victoria became a beauty queen and her Bassett Hound (Major Tom) became a champion show dog, reflecting the British fascination with celebrity, beauty and winning
Created by Victoria Melody

Performed by Victoria Melody and Major Tom National Tour 10th March to 20th June 2014
PRESS PERFORMANCES: Monday 10th & Tuesday 11th March at BAC
“A truly winning comedy, I laughed till I cried.” ★★★★★ Donald Hutera, The Times

5 ★★★★★ The Times
5 ★★★★★ Edinburgh Evening News
4 ★★★★ The List
4 ★★★★ Fest Mag
4 ★★★★ British Theatre Guide
4 ★★★★ A Younger Theatre
4 ★★★★ The Public Reviews
4 ★★★★ Exeunt Magazine

The Stage MUST SEE SHOW
Fringe Review – MUST SEE SHOW
Shortlisted for The Arches Brick and Total Theatre Awards

Major Tom is the story of how an average 34-year-old became a beauty queen and how her unruly pet basset hound, Major Tom, became a championship show dog.

Major Tom and Victoria increasingly immerse themselves in the obsessive and confusing realm of personal scrutiny as they participate as genuine contestants, determined to win.

Victoria, accompanied on stage by documentary film footage and her dog, tells this true story. It explores the British fascination with celebrity, beauty and winning.

"Startingly bonkers and utterly ordinary at the same time…deceptively thoughtful fun" The Guardian ★★★★★ The Times

Commissioned and produced by Farnham Maltings. Developed at BAC. Supported by Harlow Playhouse, Escalator East to Edinburgh and Arts Council England.

Peace Before The Storm

Joyful Company of Singers

“…undoubtedly one of the great choirs of the world” Jonathan Harvey 

British and German choral  masterpieces to mark the era that ended in 1914.  Works by Mendelssohn, Brahms, Elgar, Bingham, Parry, and Schoenberg, sung by the Joyful Company of Singers, one of Europe's leading chamber choirs under the direction of Peter Broadbent.

Now in its 25th anniversary season, the JCS is renowned for its virtuosity and intensity of spirit, as well as for an astoundingly wide repertoire, ranging from the 16th Century to the present day. Formed in 1988, the choir first came to prominence when it won the Sainsbury’s Choir of the Year competition in 1990. Since then it has maintained its profile in the music world, winning an impressive list of national and international competitions leading to many invitations. JCS regularly appears at all the UK’s major music festivals, including Bath, Aldeburgh, Cheltenham, City of London, Chelsea, Presteigne, Spitalfields, Three Choirs, Huddersfield Contemporary Music and the BBC Proms.

Peter Broadbent is the founder conductor of Joyful Company of Singers and one of Britain’s leading choral conductors. He has conducted the London Mozart Players, Divertimenti Chamber Orchestra, the English Chamber Orchestra, the City of London Sinfonia, the Royal Philharmonic Orchestra, the Southern Sinfonia, the Guildford Philharmonic Orchestra, Apollo Voices and the BBC Singers, broadcasting frequently on BBC Radio 3 and Classic FM.

This is a wonderful opportunity to hear this first class choir singing  in Cornwall

Tickets £10 free for accompanied children under 16

For more information about JCS see www.jcos.co.uk

You’re not like other girls, Chrissy

China Plate and Caroline Horton present ‘You’re not like other girls, Chrissy’

Caroline Horton’s perfectly formed one-woman-show has won her universal critical acclaim,  an award from The Stage and an Olivier nomination – and it’s easy to see why.  Inspired by her grandmother’s love letters, ‘You’re not like other girls Chrissy’ is a tender drama of love and loss, a nostalgic glimpse into life in occupied France and a moving tribute to a marvellous character.  

Horton’s play is immaculately judged  and utterly irresistible.

Tickets £10 (concessions £8)

The Wardrobe Ensemble: 33

After their hugely successful ‘Riot’, a new play from The Wardrobe Ensemble based on the epic rescue of 33 Chilean miners.

A tale of friendship, hope and Elvis Presley, 33 takes you beyond the newsrooms, past the cameras and leaves you 2000 feet under the ground. An outlandish, touching and funny modern legend of men on the brink of death, fame and madness.

Tickets £9, £8

Carmen and Mimi – Lessons in Love

Carmen and Mimi are both looking for love. Evening classes hold the answer. Lessons in Love is a comedy told through action, speech and extraordinary music with an uplifting and unexpected ending.

Tickets £8, £6

The Ballad of The Burning Star

Theatre Adinfinitum

Probably  our most ambitious offering ever – “a theatrical hand grenade” said Lyn Gardner, multi award winning and garlanded with glittering reviews.     Absolutely unmissable, mindblowing  cabaret/theatre from the company who brought us the unforgettable Translunar Paradise.   With a cast of seven including a chorus of international dancers and live on stage music, this took last summer’s Edinburgh fringe by storm – voted by many as the top show there.  For two nights only in Cornwall before  touring nationally to Bristol, Manchester, Liverpool and London.

Quotes, notes, and awards:

“Multi-award winning Theatre Ad Infinitum (Translunar Paradise, Odyssey) presents an explosive tale. Armed with music, killer heels and a lethal troop of divas an enraged Israeli executes a story of victimhood, persecution, aggression and love. With shrapnel sharp voices and moves as smooth as an oiled tank chain, this cabaret troop invites you on a journey into the core of the conflicted Jewish State.”

“With shades of a far more visceral Cabaret, The Ballad of the Burning Star is a welcome and audacious reminder of how ground-breaking the theatre can really be. This is a play that doesn’t shy away from the controversy and complexities of an issue that many are still afraid to even approach. Truly haunting and admirable in its boldness”

Winner of The Stage Award ‘Best Ensemble’ 2013

“A theatrical hand grenade” – Lyn Gardner, The Guardian ****

“Breathlessly  inventive”  Tom Lamont  Observer *****

“A thrillingly edgy piece of entertainment” – The Scotsman *****

“Bold and Inventive” – The Stage, a MUST SEE! Show

More on www.theatreadinfinitum.co.uk

TICKETS CAN BE RESERVED ON 01326 341353

£12 (£10 concessions)

Little Soldier: You and Me

Two elderly Spanish sisters live in a room full of of mysterious boxes. They share an existence of outrageous defamation, tender reminiscing and pure madness.‘You and Me’ is a touching story with sparkling dialogue and witty observations, that explores old age with humour, imagination and tenderness.

Tickets £10, £9

The Paper Cinema

Following last year’s remarkable show The Odyssey, Paper Cinema return for a short residency working on their new show. Tonight they offer a scratch performance of this new work, plus a rare showing of their first work Night Flyer, now a minor classic.

In association with Feast and Cornwall Film Festival

Tickets £9, £8

cube theatre: Aubade by Jon Welch

The unflinching reality of modern schools collides with the escapist 1920s glamour of Astaire and Rogers, with potentially horrifying consequences. Blending film and theatre, knife-sharp dialogue and dance, cube theatre presents AUBADE.

*Recommended 15 years+

Tickets £8, £7

Wurlitza: Sunrise

After last year’s amazing Piccadilly, Wurlitza return with Sunrise one of the most moving stories ever told on film, an adventure of temptation, reconciliation and redemption.

Wurlitza accompany with live music from Bach and Villa Lobas to Talking Heads and Madness. Sunrise is silent film at its most poetic and Wurlitza’s music is a perfect accompaniment.

Tickets £9, £8

Oxygen

Dreadnought South West Association presents a new play by Natalie McGrath

100 years ago imagine that fifteen women gather // They have a conversation that maps eight geographic arteries across England and Wales, like points on a compass //  These arteries reach out towards a singular destination like roots forming a tree // The destination is Hyde Park //  It’s June, 1913 and the Great Suffrage Pilgrimage begins.

A tour of a new play from Lands End to London // Remembering when 15 women became 1000s…

Tickets: £10/£8

The Fantasist

A seductive stranger opens a fantastical world to a tormented woman.

But everything comes at a price...

In the mind of the fantasist, the real and the fanciful become dangerously blurred. As Louise gazes into the night her fancy takes form. Objects move, time changes … and a seductive stranger opens up a world of exhilaration and magic.

Following an acclaimed international tour and 5 star sell-out success at Edinburgh Fringe 2012, The Fantasist comes to The Tolmen Centre for one night only, melding original music, life-sized puppetry, and physical theatre. War Horse's Robin Guiver teams up with Lecoq and LISPA trained Theatre Temoin in an emotionally powerful exploration of bipolar disorder.

“What the show does so well via the puppetry is to get you right inside Louise’s mind and make you understand both the confusion and yet also the the terrible glimmering lure of a world of bright lights and butterflies.” ...Lyn Gardner, The Guardian
★★★★★ ‘Mesmerising’ - The Skinny
★★★★★ ‘Exquisite Theatre’ - Fringe Review
★★★★★ ‘Hilarious, beautiful and utterly astonishing’ - Edinburgh Guide
★★★★★ ‘A must see’ - Scotsgay
★★★★★ ‘Raw genius’ - The Public Reviews
★★★★ 'Haunting and enchanting’ - WhatsOnStage
★★★★ ‘Ingenious stagecraft’ - Metro

Tickets £10, £8

Constantine Literary Festival

Opening by Miracle Theatre 11.00am

Morning Storytelling for all ages by John Brolly
Free admission 

1.30pm – 6.00pm
Joanna Hodgkin (Biographer & Novelist), Tessa Skola (Author & cabaret dancer) & Colin Rogers (Film & TV Producer)
£7.50

7.30pm
Salley Vickers (Acclaimed novelist)
£7.50

Single ticket for all events £12.00

Advanced booking advisable 01326 341353

A variety of refreshments available for all

Children must be accompanied by an adult

Sponsored by Wine in Cornwall, Constantine Parish Council, Cornwall Council and David Buchanan Sailmaker.

Supported by the Tolmen Centre Constantine.

Chapel Street and Bitch Boxer Double Bill

Crackling with energy and dripping with humour, this is a hilarious and heart breaking two-hander.

Bitch Boxer | Snuffbox

Chloe Jackson has just one more fight to win before she gets the chance to live her dream - to box for Team GB at the Olympics.

Tickets £10, £8, £6 Children 14+

Pinocchio

Pants on Fire

The Tolmen Centre and Pants on Fire Theatre Company invite you to attend an evening of Performance Puppetry and Music based on the company’s new show Pinnochio, followed with a discussion forum, on Saturday 23rd March at The Tolmen Centre starting at 7.30.

Pants on Fire is a multi award winning International theatre company based in London. They  create new, original, exciting, dramatically dynamic and visually brilliant high quality theatre.  Many will remember their show Ovid’s Metamorphoses which played at The Tolmen Centre in May 2011 - one of our best ever performances - which went on to runs in London and New York and won many awards.

The Company  are to undertake a short residency at The Tolmen Centre from 14th-23rd March – with the primary intention of developing the new show.      Originally this residency was planned to put the finishing touches Pinnochio, leading to a preview  of the end product.   However, events have conspired such that the show will be in its early or mid stages of development.

The performance will therefore be a   full-length  'work in progress'  showing which  will   involve some 'script in hand' performing,  some imaginative props and scenery,   as well as the detailed work  being created  during the week.   Because of this, and the way in which Pants on Fire  like to present their  work, they would   like to  make the showing more of an ‘event’,  encouraging the audience to feel part of the development  process.    They will  perform the songs from the show, the audience can meet the puppets and  generally explore the world of the play together. They  would then love to talk with the audience informally after the showing as any feedback at this stage would be really useful in taking the development forward.

Tickets for this show are FREE - but please reserve in the usual way by phone or email.  We will be asking for  contributions based on what you think its worth to cover the Tolmen Centre’s costs.

Café Tolmen will be open pre-show - please reserve for this as well so we have numbers.

We are very grateful to The Works and Venue Cornwall for financial help to allow this exciting residency to take place.

A Strange Wild Song

Rhum and Clay 

On Friday 8th March  Rhum and Clay Theatre bring us “A Strange Wild Song”.   Another  Edinburgh 2012 hit, this is by a young, Lecoq trained company rapidly making their way in modern theatre.    Watch out when you see the name Lecoq,  as graduates of the famous  French mime school have  been responsible for a number of our best ever shows – Hysteria, Translunar Paradise,  Pants on Fire, Dancing Brick  and 1927 all had connections there.

A Strange Wild Song is an elegiac piece based on a true story  – about a group of children in wartime France who befriend a wounded soldier.    It’s told via a present day find  of a cache of photographs in an attic, and the journey of discovery into his family history made by the finder.   It completely captivated us, with beautiful acting performances by the three prncipals (in many roles), absurdist humour,  stunning imagery,  and wonderful music played live just off stage.   Highly recommended for everyone.       Their website is rhumandclay.com where you can see details of their nationwide tour with this show.

Tickets £10, £8, £4

A Soldiers Song

Ken Lukowiak 

In the wake of the 30th anniversary of the Falklands War, it’s worth remembering
the human cost of that conflict. Few one-man shows could give you a more gut-wrenching insight than this one.  Ken Lukowiak faces his contrary wartime emotions with courage and honesty.

Redruth man Lukowiak served in the Paras in heat of the  Falklands war.   Subsequently his life was in turmoil as he tried to deal with  the emotional after-effects of combat.    Some years later he wrote a best selling book based on his experiences, and this was later made into the stage play A Soldiers Song by Guy Masterson (a regular visitor to the Tolmen Centre)  – who initially took Ken’s role in what was  a powerful and successful one man show.

Last year, Ken Lukowiak bravely agreed to take over the play himself  for a run at the Edinburgh Fringe where it attracted widespread acclaim and full houses.    Many serviceman and veterans were among the audiences, and all were deeply affected by Ken’s performance.   It now comes to The Tolmen Centre as part of a very short tour across the country.  Click here for lots more detail.

This show will be on Friday 1st March.    The second show on Saturday 2nd will not now take place

“ONE OF THE MOST POWERFUL WAR PLAYS EVER MADE!”

Commemorating the 30th anniversary of the Falklands War and one of the hits of the 2012 Edinbrugh Festival, A Soldier's Song is the real deal. A true story of conflict told by a guy who was there, bringing the battlefield to the stage in an extraordinary work of theatre.

This is the theatre of War in its facets, invoking the horror, terror, shame, black humour, futility and tedium of a soldier's life on the front line and the lingering effects of Post Traumatic Stress. Deeply disturbing and frightening at times, it utilises a pounding, totally authentic multi-directional soundscape. It is also extremely funny, the dark "squaddie" humour offsetting the darkness. The brutal demotic language and reality of the battlefield is brought to vividly to life.

***** "This is the Saving Private Ryan of theatre!" (The Times)

****  "A GUT WRENCHING INSIGHT"- Daily Telegraph
In the wake of the 30th anniversary of the Falklands War and with Argentina ratcheting up the pressure over the islands once again, it's worth remembering the human cost of that conflict. Few one-man shows could give you a more gut-wrenching insight than this one.  Ken Lukowiak, who served in the Paras, has stepped into the theatrical front line, delivering this potted version of his 1993 memoir of the gruelling campaign. Required to duck down, crouch and adopt defensive positions under loud simulated shellfire at times, he cuts an awkward if affable figure on stage, but that adds to the authenticity. As he relives grisly encounters with Argentinians dead and alive, recalls some sickening army gallows humour and recoils at the screaming nightmare of incidents like the bombing of Sir Galahad and Sir Tristram, you realise he is still battling his demons. Unsung heroism? This simple, humbling show embodies the phrase.
(Dominic Cavendish - Daily Telegraph - 19/08/12)

The Last Illusion

Bash Street Theatre

A retired magician and his wife are tempted to perform one last cabaret act. With live music, magical illusions and Bash Street’s stunning circus skills, a great show for all the family.

Tickets £9, £8 and £4 Child

Freddie Dare and the Ginger Robber

Cube's sparkling new show for children (and grownups too) gets it's first outing at The Tolmen Centre. With plenty of song and dance, and written by our own Jon Welch, this promises to be a delight for all ages. We are making it free for accompanied children, and adult tickets are just £7.

"Fred’s lost his Dad. Now he might be losing his mum too. Looks like a job for Freddie Dare and the Ginger Robber. The toe tapping twosome take on a terrifying quest to stop their arch enemy before it’s too late."

Café Tolmen will be open for pre show suppers for this event - booking essential.

Adults £7,  £3 for children (1 accompanied child free)

 

Miracle Theatre: Frankenstein

Tickets£10, £8 Children £4

Café Tolmen will be open for pre show suppers for this event - booking essential.

Pipeline Theatre: Transports

In the late seventies a sociopathic sixteen year old finds herself shunted into her final foster home. Her widowed foster mother has a hint of a foreign accent and a box full of secrets. As youth plays cat and mouse with age, two parallel sets of revelations collide with devastating consequences. A riveting new play from Jon Welch.

Tickets £6, £5, Children £4

Café Tolmen will be open for pre show suppers for this event - booking essential.

The Paper Cinema: The Odyssey

Homer’s cornerstone of literature is vividly told with beautiful illustration and masterful puppetry. Cinematic projection and cunning tricks trans- form a suitcase full of cut-out paper puppets into an array of living characters and striking land- scapes. A silent film is created before your eyes, set to a captivating live score from exceptional musicians.

‘A wild journey into live animation’ The Guardian In association with Cornwall Film Festival

Tickets £10, £9 Children £4
Café Tolmen will be open for pre show suppers for this event - booking essential.

Guy Masterson: Animal Farm

“Some actors are more equal than others, but few are quite as equal as Guy Masterson!” (The Times)

Hilariously comic and powerfully poignant by turns, Masterson’s breathtaking storytelling creates the farmyard around you in 2 hours of utterly compelling theatre. As the most per- formed solo show in the world, this is a must see performance for all ages.

Tickets £10, £8, Children £4
Café Tolmen will be open for pre show suppers for this event - booking essential.

Gonzo Moose: I’m An Aristocrat Get Me Out Of Here

I’m An Aristocrat Get Me Out Of Here

Packed full of hilarious slapstick, irreverent humour, verbal wit and magical illusion you’ll gasp, laugh and be amazed at the elaborate sword fights, the heart wrenching love scenes, and the sensational death-defying French accents.

Tickets £9, £8, Children £4

MAYDAY MAYDAY by Theatre Damfino

On the eve of Mayday 2004 Kneehigh's Tristan Sturrock broke his neck falling off a wall in Padstow as part of the celebrations. Paralysed in Treliske hospital and about to become a father for the first time, he was told he may never walk again.

After a sell out run at Bristol Old Vic he brings his poignant, & life-affirming true story back to his homeland Cornwall – appropriately close to Mayday 2012 - as part of a UK tour.

Since his recovery in Derriford's spinal unit where he was put back together again, he has performed all over the world, most recently on Broadway in Kneehigh's Brief Encounter. “

Audiences have called it " Horrifying and wonderful... beautiful and brilliant... transporting and funny... a true celebration of theatre, life and the NHS..

Tickets £9 (£7 concessions)

Teasel Theatre: Grisly Tales from Tumblewater

Edward Jaspers is a captivating storyteller spinning a yarn which grips from the initial downpour all the way through to the first glimpse of sunshine at the end.

In association with Carn to Cove

Tickets £5

Wardrobe Ensemble: Riot

Based on the real life riot at the opening of a new Ikea store in Edmonton in 2005. At the stroke of midnight the British public punch, kick, strangle and
eventually stab their way to £45 sofas and £35 bed frames. ‘Riot’ is an epic tale of violence, greed, and cheap sofas.

Tickets £9, £8, Children £4

Release

‘RELEASE’ explores the lives of three prisoners in their first few months after release, as they attempt to reconnect with the people and remnants of life they left behind.

“A sharp, impeccably performed and blazingly impassioned piece of theatre...simply terrific.”

The Times

Tickets £9, £8, Children £4

The Ghosts of May

A special performance  of the ‘The Ghosts of May” by Pauline Shepherd and Pete Berryman.

In aid of the Heritage Centre 

Click here to find our more about 'The Ghosts of May' on Pete Berryman's website

Loot

Loot follows the fortunes of Hal and Dennis, who rob a bank next to the funeral parlour where Dennis works and return to Hal's home to hide the money. Hal's mother has just died and the money is hidden in her coffin. But where will they hide the body?

Fay, a sexy young nurse with seven deceased husbands to her name, is interested in marrying Hal’s father, McLeavy. However, Dennis has already had his way with Fay and wants to marry her. And he can offer her more financial "security".

Inspector Truscott arrives and the plot turns topsy turvy as Hal and Dennis try to keep him off their trail.

During Joe Orton’s short but prolific career, he shocked, outraged and amused audiences with his farcical black comedies.

Loot, first performed in 1965, was Orton's third major production, following Entertaining Mr Sloane and the television play The Good and Faithful Servant. Playing with the conventions of popular farce, Orton examines English attitudes and perceptions in the mid twentieth century.

The play won several awards in its London run and is now regarded as a comic masterpiece.

Loot will be at The Tolmen Centre in Constantine on Friday 2nd December at 7.30pm
And at the Poly in Falmouth on Saturday 3rd and Sunday 4th December at 7.30pm

Loot is presented by Cornwall’s newest theatre company, Fruit.
It is directed by Keri Jessiman, well known for her legendary comic performances in the early days of Miracle Theatre.

Translunar Paradise

After a ground-breaking season, which saw the company premiere ‘Translunar Paradise’ to substantial critical acclaim at the Edinburgh Fringe 2011, they have gone on to win a clutch of theatre awards for this production, including Liverpool Daily Post ‘Best Fringe Show of 2011’, The Fringe Review ‘Outstanding Theatre Award’ 2011, The Observer ‘Iron Man’ Award for Kim Heron and Brave New World Award & Audience Award at the Sarajevo MESS Theatre Festival, Bosnia & Herzegovina 2011.

Exquisitely created, Translunar Paradise is told entirely without words and in their place are movement, haunting music and masks. This is a powerful and emotional tale of a man who is confronted by the solitude of bereavement.

Director and performer George Mann says,“This is about the gap between young and old. Age, like a mask, can obscure the fact a person was once young. We’re working without words to convey this story through the body and music on a poetic level. The audience will be immersed in feeling, sensations and movements. We hope they go home feeling they’ve experienced something very special.”

  • “an extraordinary performance”The Observer
  • “Extraordinarily poignant…beautifully performed…. packs a real emotional punch. In the end, this is a show about loss that is as much about mourning your own lost self as about the grief at the death of a long-term partner.”The Guardian
  • “an admirable, infinitely gentle and wordless story of loss and remembrance"The Times
  • “I really cannot recommend this highly enough, it is not just one of the best shows I have seen at this year’s fringe, but any fringe."The Stage
  • "a thing of perfection." British Theatre Guide

(Cafe suppers available before and after the show)

Tickets £10/£8/£4

The Animals and Children Took to the Streets

1927 use the live performance and animation techniques that it employed to such brilliant effect in Between the Devil and the Deep Blue Sea to develop a more sustained narrative about life east of the city where the bankers make big bucks.

A jaw-droppingly clever and gloriously subversive parable...The Guardian
Anyone interested in the theatre should see this company now...Observer

Tickets £10, £8, £4

A co-promotion with Cornwall Film Festival

The Mousehole Cat

Puppetcraft bring this charming tale to life with carved wooden puppets, coloured shadows, live music and a beautiful set.

Children over 4 £4

Shylock

In this poignant,powerful yet very humorous account, Shylock is explained to us through his (only) friend Tubal via a series of clever impersonations from Portia to Adolf Hitler. Gareth Armstrong’s Shylock is one of the world’s most successful solo shows, and here, Guy Masterson demonstrates its brilliance. “Innovative, delightful, exceptional!” ... The Independent

Tickets £10, £8, Children £4

Olde Tyme Music Hall and Magic Show

Join us for an incomparable, incredible and inestimable evening. Step back to the early 1900s and be immersed in stupendous singing, minervian magic, and a meal of gastronomic delights.

Dress Victorian/Edwardian
Ticket including supper £15

In aid of the Heritage Centre

One Darke Night

One Darke Night combines extracts from renowned Cornish playwright Nick Darke’s canon of work. Fusing extracts from lesser- known works with firm audience favorites such as the King of Prussia and Hells Mouth, and featuring exclusive extracts from Nick’s private journals and correspondence, this imaginative show explores the creative process of the writer. Combining a cast of versatile performers, simple staging and projected film this performance showcases Nick’s exquisite talent for combining blistering dialogue, quirky characterisation and beautiful prose in plays which are as moving as they are hilarious! Tickets £8, £7, Children £4

Operation Greenfield

Somewhere in middle England four unlikely teenagers are preparing for judgment day with ladders, Elvis and Forest Fruits squash.Stokely’s annual talent competition is nigh. With a stage full of instruments and an eclectic mix of recorded music, Little Bulb Theatre capture the confusing, awkward and beautifully naïve time of adolescence. A bizarre and fantastical exploration of music, faith and friendship, from Total Theatre, Fringe First and Arches Brick winners.‘Recklessly talented....insanely brave’ Guardian In cooperation with Carn to Cove.Tickets £8, £7, Children £4

Owdyado Theatre: About a Bench

About a Bench is a charming performance about human communication and interaction. It is the tale of the bench; the silent protagonist that ties together seven stories stretched across decades.

The two actors brilliantly portray a staggering array of brightly coloured characters, with stories varying from black comedy to tragedy.

Tickets £8 £7 Children £4

Bear Trap Theatre: Bound

Compelled by the threat of bankruptcy, fishing trawler the Violet and its mismatched crew are forced out into treacherous weather. The new bracingly physical show from Bear Trap Theatre Company. Six actors, five chairs, one table and an ocean. Bound.

“This is a small but beautifully thought-out piece of work, a sea-bleached story told with passion and performed with real dynamism.” Lyn Gardner.The Guardian

As it’s a Wednesday performance, Café Tolmen will be open from 5.30 for sensibly priced pre show meals.

Tickets £9, £8 Children £4
As a continuation of the now closed Arts Council Free Tickets Scheme we are able to offer reduced price children’s tickets for just £2 if booked in advance.

Malina’s Dream

Angel Heart Theatre present 'Malina’s Dream'

Malina lives with Grandpa in the land of the midnight sun. Into her frozen world comes a stranger, whose ship is crushed in the ice. Malina knows only she can save the stranger’s life! Breathtaking puppets, shadow puppetry, live
music create magical theatre.
Suitable for 4+years

Barbershopera: Apocalypse No

The amazingly talented Barbershopera return with an even sillier story and yet more dazzling vocal skills.

Barbershop’s funniest quartet present their third a cappella comedy musical - and this time they’re going apocalyptic.

In association with Carn to Cove.

Tickets £9, £8 Children £4

Cube Theatre: Gepetto

A new play by Jon Welch. 1950’s New York. In a shabby flat a teenage girl auditions for the role of puppeteer for a production of Pinocchio. But all is not as she expects. Geppetto is a heart-rending, but often hilarious story of a broken man’s obsessive search for his own puppet-boy, and how the chance pairing of this odd couple offers them both a glimpse of something lost and something to be yet found.

Tickets £8,£7, Children £4

Showstopper! The Improvised Musical

A brand new musical is created from scratch at each performance of this Edinburgh award-winning production, where audience suggestions help to create a show on the spot. The all-singing, all-dancing cast improvise with brilliant and unpredictable results.

‘Not only is each performance achingly funny, it’s a genuinely new musical every time. Worth seeing again and again. Time Out

Tickets £9, £8 Children £4

Ovid’s Metamorphoses

Pants on Fire’s actor-musician extravaganza relocates Roman mythology to 1940’s wartime Britain.

Cupid - an evacuee with a catapult, Narcissus - a Hollywood Matinee Idol drooling over his screen image and an Andrews Sisters Chorus finding close harmony amid cosmic chaos. ‘75 fantastical minutes from a company that certainly lives up to the cheekiness of its name. A breakthrough show.’

Lyn Gardner. The Guardian

Tickets £9, £8 Children £4

Beauty and the Beast from Mars – Miracle Theatre

Also Thursday 20th January

With original sixties inspired tunes from a 4-piece band, live video animation, technical wizardry and huge laughs from Cornwall’s foremost ‘masters of comedy’, Beauty and the Beast from Mars promises to be great all-round family entertainment.

On Wednesday 19th only, Cafe Tolmen will be open for pre theatre meals from 5.30pm. Booking essential. Tickets £10, £8 Children £6

Cube Theatre: Pinocchio

Children's Matinee

The dazzling Cube Theatre return with a magical retelling of the classic story. Using two actors and puppets, the show explores the fantastical adventures of the little puppet on the quest to become a real child.

6.0 How Heap and Pebble took on the World and Won


“... brilliant... it’s intelligent and rather poignant too, in the way it shows two people beaming with misguided optimism in the face of calamity.

Heap and Pebble just carry on regardless; their fixed smiles never slip even as the polar ice cap melts.”The Guardian

Tickets £8,  £7 Children £4

Universerama with Craig Johnson

Craig Johnson, Kneehigh performer renowned for his skill and charm has developed this new show Universerama as a blend of storytelling and cabaret. He uses puppets, props,music and comedy to convey the wonder of the cosmos in a funny and informative show for all the family.

We study the stars, visit distant galaxies, and hear the fascinating story of John Couch Adams, the Cornishman who discovered Neptune. Tickets £8, £7 Children £4

DANCE: CSCAPE

CScape– our resident Dance and Physical Theatre Company – are running a Community Dance project at Trebah Gardens in early July. There are two open rehearsal sessions at the Tolmen Centre – on Wednesday 16th and 30th June: they are seeking 100 dancers of all shapes, sizes, ages and genders so there’ll be room for everyone. Ring Sally (Cscape) Williams on 07793953261 to find out more

OR JUST TURN UP!! The sessions run from 5pm to 9pm

(Café Tolmen will also be open on these nights so work up an appetite and then have supper – or vice versa!)

Barbershopera II

Barbershop’s funniest quartet. Three guys and a girl tell the tale of a matador who moves to Norfolk - expect laughs, tears and stampeding cows. ‘A feast of frenetic ridiculousness and technically superb singing’ - **** (Scotsman).

Tickets £8, £7 Children £4

In association with Carn to Cove

The Sociable Plover

A superlative mystery comedy thriller set in a bird hide on the Suffolk marshes. Following his superb performance of Under Milk Wood last year, Guy Masterson returns in a two hander with Ronnie Toms. Tim Whitnall’s play is a wrought, taut, exquisitely balanced black comedy that keeps the viewer glued to the seat until the final full stop.

A multiple five star reviewed show at the Edinburgh festival 2009

Tickets £9, £8 Children £4

Leap: Community Choreography Project

A weekend event at the Tolmen Centre and Jubilee Wharf offering creative dance workshops for all ages. Even if you have never danced before: babies, teenagers over 50s all are welcome.

Tel:07876 205050.

Linda Marlowe: The World’s Wife

A new adaptation of Carol Ann Duffy’s poems, imagining the wives’ perspective of famous men. From Mrs Faust and Frau Freud to Queen Kong and Mrs Midas, this darkly funny show slices through history and myth.

‘Performed with awesome style and confidence by the splendid Linda Marlowe... wonderful’ Observer

Tickets £8, £7, Children £4

Cube Theatre: The Locksmith’s Wife

Every week the Locksmith’s wife reads aloud the next instalment of Dickens’ latest story to an assortment of characters who may have walked out of his novels.

But when she falls sick, the Locksmith has to step into her shoes and fiction and reality blur as they find themselves facing their deepest secret.

Tickets £8, £7 Children £4

Bash Street Theatre Company: Silent Movie


Bash Street Theatre has an international reputation for outdoor productions combining live music and silent comedy.

Their new indoor show brings to life all the action, music and comedy of a B&W movie of the 1920s.

“Kept young and old entranced” Lyn Gardner The Guardian

Tickets £8, £7 Children £4

Miracle Theatre: Revenge of Rumpelstiltskin


It is the year 1906 and provincial audiences are eagerly awaiting the return of the Ffitch Repertory Players with their latest offering The Revenge of Rumpelstiltskin.

It is anticipated that this resourceful troupe of actors will once again brighten the lives of rural folk and bring a glimmer of the the glamour of London’s West End to their very doorstep.

Tickets £8, £7, Children £4

A Night at the Museum

Spooky happenings in the Museum. Things to make and things to make you shake.
Look out behind you!

Cscape: When the Shops Shut


When the shops are shut for good, when the shutters come down for the last time, when the final homes are bought up, what happens to communities then? Evocative, charming and funny, Cscape brings these communities to life in a vivid blend of dance, theatre, film, poetry and music.

“Cscape are poetry for the eyes and should not be missed” ...Western Morning News

Tickets £8, £7 Children £4

Third Man Theatre Company: Stalag Happy


Stalag Happy is a funny and moving account of a truly inspiring story, portrayed through the use of sharp, comic, often touching dialogue – imaginative and inventive design – and a suitably nostalgic 1940s soundtrack.

Stalag Happy is a new play dramatising the true story of the abstract artists Sir Terry Frost and Adrian Heath whilst interned in the German POW camp Stalag 383 between 1941 – 45. “Edward Elks and Dan Frost were simply splendid... As thought provoking as it was touching... Well worth seeing twice.”...The Cornishman Tickets £8, £7 - Children £4 In association with Carn to Cove

Cube Theatre: Reality Sandwich


A new comedy by Jon Welch

Suzette is a ballet dancer. Morry is a married city worker, on the verge of losing everything, who can’t stop secretly going to see her perform.

Tonight he’s going to talk to her.

There’s just one problem.

She’s dead.

This is a special scratch performance of a new Cube show. Audience feedback is invited and a “pay what you think it deserved system” will operate. Suitable for ages 12+.

Chaplin


Written and performed by Pip Utton "A day without laughter is a day wasted”

Chaplin remains one of the greatest clowns of all time. He created an image of himself for public consumption that hid the darker sides of his personality. Pip Utton steps in and out of the screen and becomes Charlie Chaplin, stripping away the myths and the moustache and revealing the man beneath.

‘Pip Utton is the doyen of the Fringe one-man show.’ The Daily Telegraph Tickets £8, £7 Children £4

Under Milk Wood

The producer and designer of Scaramouche - Guy Masterson - will bring us his own celebrated and renowned solo version of the great Dylan Thomas ‘play for voices’ with all the design and production values that his company has become famous for. It has played all over the world – they’re just back from the Adelaide festival - and this is one of only a handful of productions licenced by the Dylan Thomas estate. Guy plays every one of the enormous range of characters in what is justly described as a tour de force.

For just one night in Cornwall – only at The Tolmen Centre May 9th at 7.30

An Evening of Theatre with Ginny Davis

+ Summer Drinks & Desserts

+ Handmade Jewellery & Cards

Tickets: Adults £8.00, includes a drink and dessert

Heritage Collection and Tolmen Centre Fundraiser

Chef’s Special

“A man, not a particularly good one, waits for his lover outside an abandoned restaurant in a forgotten corner of town. It is raining. She is late. She’s never late. And then the restaurant door opens. Tonight he has a choice to make. Tonight there is only one dish on the menu… Chef’s Special.”

Following their recent acclaimed success with The Uninvited, CUBE and Jon Welch return with a completely new and totally different confection. Chef’s Special is a musical cornucopia featuring song, dance and live music - a heady blend of tango, culinary percussion, and lashings of haut cuisine! A very modern musical comedy.

In association with Carn to Cove

Tickets £8, £7 Children £4

Pluck present Musical Arson

An international sell-out show. The world’s three most stupid musicians entertain with their hilarious antics as they compete, ridicule, argue and seduce their way through Bach to Beatles.

“Classical music for all ages and shoe sizes” The Sunday Times.

In association with Venue Cornwall

Tickets £8, £7 Children £4

Scaramouche Jones

11pm on Millennium Eve: Ancient clown Scaramouche breaks fifty years’ silence to give his final performance and charts a bizarre odyssey through crumbling empires, comic misadventures and the 20th Century’s darkest episodes, revealing the loves, the brutalities, the ecstasies and the tragedies beneath his seven white masks in an epic, poetic, profoundly moving tale. Justin Butcher’s “Scaramouche Jones” is an international phenomenon made famous in 2000 by Pete Postlethwaite’s beautiful production. Now, directed by solo maestro Guy Masterson, Butcher makes the centenarian clown he originally created for himself brilliantly his own. “Mesmerising”...The Guardian In association with Venue Cornwall

The Penny Dreadfuls present Aeneas Faversham Forever

Fresh from their recent series on Radio 4, a trio of Victorian gentlemen humourists, the Penny Dreadfuls bring you the visually resplendent, aurally pleasurable Aeneas Faversham Forever, one of this year’s most scrumptious and comically edifying Edinburgh Fringe treats. “Think ‘A Bit of Fry and Laurie’ with a dash of ‘Ripping Yarns’ and a twist of ‘Big Train’.

Grab the chance to see the Penny Dreadfuls live” - The Guardian

In association with Venue Cornwall

Tickets £8/£7 Children £4

Poetry and Music: Louis de Bernieres and Ilone Antonius Jones

A sparkling and entertaining show of poetry, music and badinage. Rated unmissable by Edinburgh Fringe critics, this unusual and exciting mix has delighted audiences across the UK and abroad. Presented in association with Carn to Cove. Tickets £7/£6

Behind You

Tolmen Theatre Company

A huge success last April, a second chance to revel in this gothic-ghost-horror show full of comedy, music, song and dance with a cast of forty five from the village.

Tickets £6 Conc £5 Child £4

Cats Cradle

Miracle Theatre Company 

Based on the novel by Kurt Vonnegut.

Just like Miracle Theatre, Kurt Vonnegut explores serious themes through laughter and this classic satire on Modern Science is a perfect vehicle for Miracle's blend of physical theatre, comedy, film and music. This will be the first stage adaptation of the novel in the UK.

Tickets £8 Conc £7 Children £4

Lies Have Been Told: an evening with Robert Maxwell

Straight from the Edinburgh Festival 2008, the man they dubbed” the Bouncing Czech” bounces back from the grave to mount a typically bombastic self defence in Rod Beach- am’s blackly comic and hugely enjoyable one-man play about the Mirror tycoon and pension- fund looter Robert Maxwell.

Tickets £ 10

(With thanks to Martin and Amanda Barlow of Budock Vean Hotel and Spiezia Organics for co-promoting this production in aid of the Helford Gig Club and the Bishop’s Forum)

Pathway to the Red Sun

Rogue Theatre

A welcome return for Rogue Theatre following the superb Madame Lucinda’s Wonder- show. With influences from Madame Butterfly to Donnie Darko, their new production combines circus spectacle, powerful narrative, film and live music. Unmissable.

Tickets £8 Conc £7 Child £4

The Uninvited

Cube Theatre

Jon Welch’s new play delves into exciting dramatic territory. A blisteringly toxic comedy that echoes Pinter and Beckett, this macabre puzzle is by turns surreally comic, disturbing and moving.

Tickets £8 Conc £7 Child £4

The Taming of the Shrew

Miracle Theatre

Miracle takes another look at the complexities of male/ female relationships, giving Shakespeare's controversial romantic comedy a 21st century make-over.

Tickets £8 Conc £7 Children £4

The Devil and the Deep Blue Sea

Combining live music with animation and film, a surreal satire for the discerning viewer.
With no fewer than five awards including the Total Theatre Award for Best Emerging Company, 1927 was the runaway success of this year's Edinburgh Festival Fringe

'1927 go all out to entertain' - Independent.

'Theatrical cabaret…executed with breathtaking wit and aplomb. Everything about this show isjust so, from the precision of the writing to the exquisitely animated design and the delivery' - Lyn Gardner, The Guardian

'Impeccable choreography. perfect timing, magnificent stage presence' - Time Out.

Tickets £8 Conc £7 Child £6

Supported by Venue Cornwall

Below

Cscape Dance Company make a welcome return.

Based on a story by Anna Marie Murphy Below delves into the depths of the Cornish Mining Industry. A unique blend of dance, physical theatre, music and film, Below creates a moving and fascinating insight into an era of buckets and Bal Maidens, heavy loads and heavy bones and the promise of loss and new life.

Tickets £6 Conc £5 Child £4

Behind You

Tolmen Theatre Company

We welcome back the Tolmen Centre's own theatre company with Jon Welch's new extravaganza, produced by Tod Welch. With a cast of over thirty this promises to be their best ever show - a panto within a play within a musical!

With a plot based on a successful theatre which crumbles to dust, it's a gothic-ghost-horror show but full of comedy, music song and dance. What is the brutal secret of the show that closes the theatre? The answer is Behind You!

Tickets £6 Conc £5 Child £4

Hard hearted Hannah

Cartoon de Salvo's all new, script defying and spontaneous show, inspired by the sassy. dirty and bittersweet music of the American South, is the latest freewheeling antic from the team behind hit comic romance 'Meat and Two Veg'

"A rare and refreshing theatrical treat - Time Out Critics Choice

Tickets £8 Conc £7 Child £5

Hamlet

Cube Theatre

An explosive new adaptation featuring a lean version of the script. The story of Hamlet is delivered faithfully, with the wit and beauty of the poetry intact. Shakespeare's classic is approached as a contemporary play, featuring live original music and integrated film.

Tickets £6 Conc £5 Child £4

I, Lear

Black Sheep Theatre

Two of the country's finest unemployed actors will show you how theatre should be performed, treating you to their unique interpretations of scenes from Britain's greatest playwrights (and one or two foreigners).

The show culminates in a truly unforgettable and startling reworking of King Lear. You'll never look at theatre in the same way again…

"Belly laugh inducing mayhem" - The Standard

"I laughed for the first time in days" - The Times

"Great comic writing and astounding performances" - The Guardian

Tickets £6 Conc £5 Child